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CINE 425 - Senior Seminar: The Anecdote and Writing Film History
From Benjamin to Barthes to Greil Marcus, there is a "secret history" of theory that favors the anecdote as a mode of analysis, but film studies has largely ignored anecdotes as a model for writing its own history, one which might, like the movies themselves, be full of mysterious allure. What might a more anecdotal approach look like? This course will map out the approach’s history, and ask students to write "anecdotal" histories of course films. Enrollment Limit: 12. |
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