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Mar 21, 2023
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Course Catalog 2021-2022 [ARCHIVED CATALOG]
Course Search
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This is a comprehensive listing of all active, credit-bearing courses offered by Oberlin College and Conservatory since Fall 2016. Courses listed this online catalog may not be offered every semester; for up to date information on which courses are offered in a given semester, please see PRESTO.
For the most part, courses offered by departments are offered within the principal division of the department. Many interdisciplinary departments and programs also offer courses within more than one division.
Individual courses may be counted simultaneously toward more than one General Course Requirement providing they carry the appropriate divisional attributes and/or designations.
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Cinema Studies |
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• CINE 211 - What is Media?
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• CINE 212 - Social Media Explorations
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• CINE 243 - Introduction to African Cinema
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• CINE 244 - When Old Media Were New: Global Histories of New Media
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• CINE 250 - French Cinema, Intersectional and Feminist
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• CINE 251 - New Zealand Film
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• CINE 267 - Narrating and Documenting the Israeli-Palestinian Conflict
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• CINE 280 - Technophobia and Occult Media
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• CINE 282 - Hollywood Narrative & Genre
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• CINE 284F - AOI Workshop-Full
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• CINE 284H - AOI Workshop-Half
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• CINE 290 - Introduction to the Advanced Study of Cinema
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• CINE 291 - Fundamentals of Cinema Production
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• CINE 293 - Covering Crisis: Storytelling Across Media
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• CINE 295 - Cinematic Storytelling Workshop
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• CINE 298 - Video Production Workshop I
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• CINE 301 - Sound for Moving Picture
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• CINE 302 - Montage in Thought & Practice
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• CINE 303 - Back to the Future: The French New Wave
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• CINE 306 - Global Women’s Documentary
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• CINE 309 - Chinese Popular Cinema and Public Intellectualism
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• CINE 311 - Silent Cinema: Technology, Industry, Modernity
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• CINE 312 - Experimental Ecocinema
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• CINE 313 - ANIMATION WORKSHOP : Stop Motion Animation from Analog to Digital
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• CINE 314 - Bardot, Seyrig, Fonda: Stardom and Activism Before #MeToo
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• CINE 315 - Queer Media, Activism and Thought in France: Case Studies
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• CINE 316 - Usership Media
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• CINE 320 - Video Production Workshop II: Documentary Production
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• CINE 321 - Contemporary World Auteurs
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• CINE 322 - Experiments in Moving Image & Sound I
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• CINE 323 - Theory and History of Global Cinema
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• CINE 324 - Video Production Workshop II: The Short Film
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• CINE 325 - Imagining Immanence
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• CINE 326 - First Person Cinema: Personal Narrative
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• CINE 328 - Media Networks: Interconnections of History and Theory
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• CINE 331 - Docufiction
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• CINE 332 - The Autobiographical Film
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• CINE 335 - Advanced Cinematic Storytelling
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• CINE 342 - Experiments in Moving Image and Sound II
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• CINE 347 - When Old Media Were New
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• CINE 350 - The Poetics and Politics of French Documentary and the Essay Film
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• CINE 354 - Actors, Stars, and the World Stage
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• CINE 358 - Feminist Media Histories
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• CINE 360 - Strange Cinema
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• CINE 361 - Time & the Human Condition
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• CINE 362 - New Issues in Documentary
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• CINE 363 - Bodies of Laughter: The Slapstick Film Comedy
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• CINE 364 - Advanced Film Making Projects
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• CINE 370 - Francophone Cinemas of the African Diaspora
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• CINE 372 - Contemporary Literary Theory: Post-Modernity and Imagination
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• CINE 375 - Realism, 1800 to the Present: The Mirror Up to Nature
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• CINE 377 - Narrative Across Platforms
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• CINE 381 - Hopeful Monsters: (Mixed-)Media Studies
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• CINE 398 - New Wave, New Hollywood, New Cinema Studies
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• CINE 399F - Cinema Studies Practicum - Full
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• CINE 399H - Cinema Studies Practicum - Half
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• CINE 980 - Transmedia Storytelling in Japanese Cinema
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• CINE 995F - Private Reading - Full
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• CINE 995H - Private Reading - Half
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Classics |
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• CLAS 103 - History of Greece
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• CLAS 104 - History of Rome
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• CLAS 111 - Greek and Roman Epic
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• CLAS 112 - Greek and Roman Drama in Translation
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• CLAS 201 - Magic and Mystery Ancient World
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• CLAS 203 - The City in Antiquity
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• CLAS 209 - The Ancient and Modern Novel
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• CLAS 210 - Greek and Roman Mythology
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• CLAS 217 - The Age of Nero
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• CLAS 219 - Sexuality in Ancient Greece and Rome
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• CLAS 222 - Ovid and the Middle Ages
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• CLAS 307 - Roman Egypt: Art, Culture, History
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• CLAS 308 - Ancient Greek & Roman Science
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• CLAS 309 - Archaeological Ethics: Digging Up the Dead and Other Problems in Archaeology
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• CLAS 351 - Pompeii: Life and Afterlife
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• CLAS 401F - Honors - Full
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• CLAS 401H - Honors - Half
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• CLAS 995F - Private Reading - Full
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• CLAS 995H - Private Reading - Half
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Cognitive Science |
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• COGS 101 - Mind, Brain, and Behavior: An Introduction to Cognitive Sciences
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• COGS 995F - Private Reading -Full
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Comparative American Studies |
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• CAST 050 - Cleveland Immersion Program
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• CAST 100 - Introduction to Comparative American Studies
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• CAST 150B - Sign o’ The Times: Music, Crisis, and Generational Response
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• CAST 200 - Theories and Methods in American Studies
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• CAST 201 - Latinas/os in Comparative Perspective
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• CAST 202 - Visible Bodies and the Politics of Sexuality
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• CAST 207 - Introduction to Queer Studies
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• CAST 208 - Which American Life?
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• CAST 209 - American Identities and Popular Culture
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• CAST 210 - Sanctuary, Solidarity, and Latina/o/x Practices of Accompaniment
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• CAST 211 - Lesbian, Gay, Bisexual and Transgender Identities
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• CAST 214 - Friends, Foes, and Feminism: Relationships in Contemporary US Novels
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• CAST 217 - Introduction to Feminist Science Studies
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• CAST 223 - Surviving America: Introduction to Native Studies
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• CAST 231 - The Coalition of the Future: How We Combat White Nationalism and Weave the Fabric of Democracy
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• CAST 232 - History of Race in American Cities and Suburbs
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• CAST 235 - Debating Citizenships
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• CAST 238 - Self and Sovereignty in Global Indigenous Literatures
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• CAST 242 - Asian American Literature at the Crossroads
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• CAST 243 - Promise and Peril: Race and Multicultural America
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