Course Catalog 2021-2022 [ARCHIVED CATALOG]
Cinema Studies
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Geoff Pingree, Director, Cinema Studies Program; Professor of Cinema Studies and English
E. Grace An, Associate Professor of Cinema Studies and French
Rian Brown-Orso, Associate Professor of New Media and Cinema Studies
William Patrick Day, Professor of English and Cinema Studies
Kyle Hartzell, Lecturer, Cinema Studies
Jeffrey Pence, Associate Professor of English and Cinema Studies
Joshua Sperling, Mellon Postdoctoral Fellow
Visit the department webpage for up-to-date information on department faculty, visiting lecturers, and special events.
The Cinema Studies Program at Oberlin offers courses in both filmmaking, screenwriting, and critical studies. The major is not divided into separate tracks as we believe that knowing about how movies are made enhances critical work while a knowledge of the history and theory of cinema supports filmmaking.
Our program deals with cinema as an artistic practice and as a dynamic part of cultural and social history, placing cinema in the contexts of other media as well as cinema as part of a global network of the moving image.
As a program in a liberal arts college, we believe that studying cinema and making movies is an important way of learning about the world and how we live and act in it today. The moving image in all its forms and manifestations, from traditional theatrical movies, television, to digital streaming platforms, represents, mediates, and shapes our understanding of the world, our own experience, and our experience of others. Studying and creating cinema enhances our vision-in every sense of the term-of our world.
The Cinema major requires nine courses; students can count up to 4 courses from other College programs and departments among which are TIMARA in the Conservatory, Creative Writing, Theater Arts, Studio Art, English, Comparative Literature, Africana Studies, and East Asian Studies. Each student in the Cinema Major shapes their own program with the help of their adviser.
Students begin critical studies in Cinema with 100 and 200 level courses which are open without prerequisites; students interested in majoring in Cinema should plan to take Cine 290, Introduction to the Advanced Study of Cinema, by the end of their sophomore year, though the course is also open to students considering other majors.
The Program does not offer a general introductory course in filmmaking. We think students can begin learning to make movies by choosing the kind of filmmaking that most interests them from among the 300 level Cinema Workshops-The Short Film, Documentary and Journalism, First Person Cinema, Experiments in Sound and Vision, and Animation. These small enrollment courses have special tutorial sessions for students with little or no experience in filmmaking. Each of these courses may be repeated for full credit.
Courses- CINE 109 - Topics in Chinese Film: Introduction to Modern Chinese Cinema
- CINE 111 - Introduction to Media Studies
- CINE 112 - Intro to American Documentary: 1960 to the Present
- CINE 116 - Film Experience: The Cinematic World
- CINE 117 - Sound and Cinema
- CINE 118 - Film Noir: A Transnational Perspective
- CINE 119 - Exilic Cinema
- CINE 173 - American Cinema 1966-1990
- CINE 202 - Modern Latin American Cinema
- CINE 203 - Funny Women: Women, Comedy, and Film
- CINE 206 - Modern Chinese Literature and Film: The Art of Adaptation
- CINE 211 - What is Media?
- CINE 212 - Social Media Explorations
- CINE 243 - Introduction to African Cinema
- CINE 244 - When Old Media Were New: Global Histories of New Media
- CINE 250 - French Cinema, Intersectional and Feminist
- CINE 251 - New Zealand Film
- CINE 267 - Narrating and Documenting the Israeli-Palestinian Conflict
- CINE 280 - Technophobia and Occult Media
- CINE 282 - Hollywood Narrative & Genre
- CINE 284F - AOI Workshop-Full
- CINE 284H - AOI Workshop-Half
- CINE 290 - Introduction to the Advanced Study of Cinema
- CINE 291 - Fundamentals of Cinema Production
- CINE 293 - Covering Crisis: Storytelling Across Media
- CINE 295 - Cinematic Storytelling Workshop
- CINE 298 - Video Production Workshop I
- CINE 301 - Sound for Moving Picture
- CINE 302 - Montage in Thought & Practice
- CINE 303 - Back to the Future: The French New Wave
- CINE 306 - Global Women’s Documentary
- CINE 309 - Chinese Popular Cinema and Public Intellectualism
- CINE 311 - Silent Cinema: Technology, Industry, Modernity
- CINE 312 - Experimental Ecocinema
- CINE 313 - ANIMATION WORKSHOP : Stop Motion Animation from Analog to Digital
- CINE 314 - Bardot, Seyrig, Fonda: Stardom and Activism Before #MeToo
- CINE 315 - Queer Media, Activism and Thought in France: Case Studies
- CINE 316 - Usership Media
- CINE 320 - Video Production Workshop II: Documentary Production
- CINE 321 - Contemporary World Auteurs
- CINE 322 - Experiments in Moving Image & Sound I
- CINE 323 - Theory and History of Global Cinema
- CINE 324 - Video Production Workshop II: The Short Film
- CINE 325 - Imagining Immanence
- CINE 326 - First Person Cinema: Personal Narrative
- CINE 328 - Media Networks: Interconnections of History and Theory
- CINE 331 - Docufiction
- CINE 332 - The Autobiographical Film
- CINE 335 - Advanced Cinematic Storytelling
- CINE 342 - Experiments in Moving Image and Sound II
- CINE 347 - When Old Media Were New
- CINE 350 - The Poetics and Politics of French Documentary and the Essay Film
- CINE 354 - Actors, Stars, and the World Stage
- CINE 358 - Feminist Media Histories
- CINE 360 - Strange Cinema
- CINE 361 - Time & the Human Condition
- CINE 362 - New Issues in Documentary
- CINE 363 - Bodies of Laughter: The Slapstick Film Comedy
- CINE 364 - Advanced Film Making Projects
- CINE 370 - Francophone Cinemas of the African Diaspora
- CINE 372 - Contemporary Literary Theory: Post-Modernity and Imagination
- CINE 375 - Realism, 1800 to the Present: The Mirror Up to Nature
- CINE 377 - Narrative Across Platforms
- CINE 381 - Hopeful Monsters: (Mixed-)Media Studies
- CINE 398 - New Wave, New Hollywood, New Cinema Studies
- CINE 399F - Cinema Studies Practicum - Full
- CINE 399H - Cinema Studies Practicum - Half
- CINE 980 - Transmedia Storytelling in Japanese Cinema
- CINE 995F - Private Reading - Full
- CINE 995H - Private Reading - Half
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