Course Catalog 2024-2025
Art History
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Matthew F. Rarey, Associate Professor of African and Black Atlantic Art History; chair
Bonnie Cheng, Associate Professor of Art History and East Asian Studies
Erik W. Inglis, Mildred C. Jay Professor of Art History
E. Holley Ledbetter, Visiting Assistant Professor of Art History
Christina S. Neilson, Associate Professor of Renaissance and Baroque Art History
Ana C. Perry, Assistant Professor of Modern and Contemporary Art History
Yeorae Yoon, Visiting Assistant Professor of Art History and East Asian Studies
Visit the department web page for up-to-date information on department faculty, visiting lecturers, and special events.
In the Department of Art History at Oberlin College, the expertise of the faculty covers the globe from prehistory to the present, with specialists in the art of China and Japan, Africa and the Black Atlantic, the Islamicate World, the Americas, and Europe. Given the field’s interdisciplinary and international nature, we welcome students from all majors, and enable our students to recognize art history’s distinctive contribution to the liberal arts.
See information about Research, Internships, Study Away, and Experiential Learning (RISE).
Explore Winter Term projects and opportunities.
Departmental Policies
Transfer of Credit for Content Taught by the Department
Advanced Placement and/or International Baccalaureate Credit
The following score(s) will correspond to credit for the following course(s), fulfilling corresponding prerequisite requirements (if applicable) and counting toward total credits needed for graduation:
- AP Art History, 5 → ARTH 600 (one full course)
Note: Transfer credit received for ARTH 600 does not count toward the art history major or art history minor.
Credit for Study Away and Other Outside Coursework
The art history department’s preliminary approval must be obtained before beginning work away from Oberlin if this work is in the realm of art history and is to be counted toward total credit for graduation. On return, students must supply both an official transcript and evidence of the nature of the work done. Such requests, as well as those of transfer students, will be handled on an individual basis. The department is not obliged to give credit for work that fails to fit the general patterns of the Oberlin curriculum or that fails to come up to Oberlin’s standards, no matter how valuable a student feels the experience has been, or how much time and effort has been expended.
Majors, Minors, and Integrative Concentrations
Curriculum
The Allen Memorial Art Museum is central to the art history department curriculum. Courses routinely meet there and students have the opportunity to participate in the Museum’s Gallery Guide program.
Courses- ARTH 110 - Christian Art: A Global History
- ARTH 150 - Approaches to Western Art
- ARTH 152 - Approaches to Chinese and Japanese Art
- ARTH 154 - Approaches to African Art
- ARTH 157 - Approaches to the Art of the Americas
- ARTH 158 - Approaches to Islamic Art
- ARTH 204 - Introduction to Book Studies
- ARTH 210 - Medieval Art
- ARTH 211 - Illuminated Manuscripts
- ARTH 212 - Monastic Art of the Middle Ages and Renaissance
- ARTH 213 - Late Medieval Art
- ARTH 214 - Synagogues, Churches, and Mosques: Sacred Art of the Medieval Mediterranean
- ARTH 215 - Saints and Relics in Medieval and Renaissance Art
- ARTH 216 - Romanesque & Gothic Art
- ARTH 217 - Ancient and Early Medieval Art: from Augustus to Charlemagne
- ARTH 218 - From Emperor to Pope: Art, Architecture, and Urbanism in Ancient and Medieval Rome
- ARTH 219 - Albrecht Dürer and German Renaissance Printmaking
- ARTH 220 - Japan’s Encounter with the West: Cultural and Artistic Exchanges, 1540-1900
- ARTH 223 - Politics and Protest: Modern Chinese Art
- ARTH 225 - Pleasure and Design in Confinement: Japanese Prints in and after Edo
- ARTH 226 - Monks, Miracles, and Magic: Buddhist Art in East Asia
- ARTH 227 - Topics in East Asian Art: Monuments in a Comparative Perspective
- ARTH 237 - Palestinian Art and Visual Culture
- ARTH 252 - Collectives and Collaboration in Modern and Contemporary Art
- ARTH 253 - Latinx Art: Past and Futures
- ARTH 254 - The Arts of Latin America in the 20th and 21st Centuries
- ARTH 255 - Histories of Performance: From Live Art to New Media
- ARTH 270 - Africa, Europe, and the Art of Colonization
- ARTH 271 - Looking for Africa in Brazil
- ARTH 272 - Sacred Arts of Vodou and Santería
- ARTH 273 - Art and Empire in Africa, 1000-1700
- ARTH 290 - Gender and the Visual Arts in Europe and Colonial Latin America, 1450-1650
- ARTH 291 - Baroque Art
- ARTH 292 - Art of the Italian Renaissance
- ARTH 293 - Art and Politics in 16th-Century Italy
- ARTH 294 - The Arts of Conquest and Resistance in 17th century Europe and Latin America
- ARTH 295 - Ingenious Making in the Early Modern World
- ARTH 299 - Methods of Art History
- ARTH 310 - Word and Image in Medieval Art
- ARTH 311 - Art History Without a License
- ARTH 312 - Art at the Valois Courts
- ARTH 313 - Illuminated Manuscripts in Oberlin Collections
- ARTH 315 - Medieval Treasuries
- ARTH 326 - Death and Dying in East Asian Art
- ARTH 327 - Image/Object: Material and Mediation in Chinese Art
- ARTH 328 - New Ghosts Old Dreams: The Art of Post-Imperial China
- ARTH 329 - Cultural Property? Art, Heritage, Ownership
- ARTH 352 - The Pleasures of Disgust in Contemporary Art
- ARTH 353 - The Special Case of Puerto Rico
- ARTH 370 - Slavery and the Problem of the Visual
- ARTH 390 - Wood, Flesh, Metal, Blood
- ARTH 391 - Love, Lust, and Desire in Renaissance Art
- ARTH 499 - Art History Honors
- ARTH 995F - Private Reading - Full
- ARTH 995H - Private Reading - Half
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