[DRAFT] Course Catalog 2026-2027 [ARCHIVED CATALOG]
Dance
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Alysia Ramos, Associate Professor of Dance; chair
Ann Cooper Albright, Professor of Dance
Al S. Evangelista, Assistant Professor of Dance
Mary-Elizabeth Fenn, Lecturer of Dance
Holly R. Handman-Lopez, Assistant Professor of Dance
Amy M. Larson, Lecturer of Dance
Thomas (Talawa) Prestø, Assistant Professor of Africana Studies and Dance
Eric A. Steggall, Lecturer and Managing Director of Dance and Theater
Visit the department web page for up-to-date information on department faculty, visiting lecturers, and special events.
Dance at Oberlin blends experiential, practice-based pedagogy with the intellectual rigor of an Oberlin education. Our courses integrate making and thinking, composition and cultural theory, emphasizing play, creativity, critical thought, and embodied wisdom.
At Oberlin, we believe dance is for everybody and every body. All dance courses are open to all students. Student, faculty, and guest artist choreography is showcased year-round in concerts and informal performances. Opportunities for artistic collaboration abound across disciplines, including theater, cinema and media, studio art, and the Conservatory of Music.
Majors, Minors, and Integrative Concentrations
Curriculum
The dance curriculum is divided into four areas of study to help students organize their learning around certain approaches to dance: creation and performance, critical inquiry, physical techniques, and somatic studies. While interconnected, these areas represent different pathways into dance and related professional fields. Please see the dance major catalog page for an up-to-date listing of which courses correspond to which areas of study.
Creation and performance courses prepare students to become versatile performers and/or creators of dance work. These classes provide tools, skills, inspiration, and models for the development of a personal creative practice.
Critical inquiry courses investigate the many layers of aesthetic, cultural, and historical meaning in various dance forms. Bridging intellectual and physical training, they combine critical theory and movement analysis with embodied knowledge, preparing students for graduate study in dance and performance studies.
Physical techniques courses in diverse genres and levels support the physical, intellectual, and imaginative process of becoming a dance artist for those exploring dance broadly to those pursuing it professionally.
Somatic studies courses emphasize well-being, conscious embodiment, and sustainable movement, preparing students for dance careers, personal health, and therapeutic fields. Somatics fosters holistic thinking, discipline, creativity, and self-reflection, attracting majors and non-majors seeking self-care in college.
Courses- DANC 100 - Contemporary Dance I: Beginning
- DANC 107 - Samba
- DANC 113 - Ballet I
- DANC 119 - Yoga
- DANC 120 - Bharata Natyam (Classical Indian Dance)
- DANC 125 - Devising Design
- DANC 132 - Contact Improvisation
- DANC 140 - Somatic Meditation and Breathwork
- DANC 144 - History of African and Caribbean Dance
- DANC 150 - Baila Baila Baila: Dancing Latin(o) America
- DANC 161 - Capoeira Angola I
- DANC 170 - Intro to Africana Dance and Choreographic Practices
- DANC 170H - Intro to Africana Dance and Choreographic Practices
- DANC 180 - Hip Hop Dance I - Beginning
- DANC 200 - Contemporary Dance II - Intermediate
- DANC 202 - Mind-Body Practices: An Introduction to Somatics
- DANC 203 - Somatic Landscapes
- DANC 204 - Physical Mindfulness
- DANC 204A - Physical Mindfulness - Practice
- DANC 204B - Physical Mindfulness - Theory
- DANC 209 - Improvisation I
- DANC 211 - Production Project
- DANC 212 - Ballet II
- DANC 214 - Moving into Community
- DANC 217 - Improvisation in Dance and Mind
- DANC 221 - Body Re-Education and Functional Anatomy
- DANC 222 - Choreography I
- DANC 226 - Queering Choreography
- DANC 230 - Lifelong Motion: Dance, Aging, and Community
- DANC 239 - Site-Specific Dance
- DANC 240 - Arts Management I
- DANC 241 - Rhythms of Resistance: Carnival, Dance, and the Fight for Social Justice
- DANC 242 - Musical Theater Dance
- DANC 244 - Dance and the Camera
- DANC 247 - Dance Pedagogy
- DANC 252 - Somatic Skills of Resilience
- DANC 270 - Queer Gestures: Dance and Performance
- DANC 292 - Choreographic Practices for Black Dance, Social Dance, Street Dance, TV, and Social Media
- DANC 295 - Dance Conditioning
- DANC 300 - Contemporary Dance III - Advanced
- DANC 303F - Oberlin Dance Company - Full
- DANC 303H - Oberlin Dance Company - Half
- DANC 310 - Practicum in Dance: Non-Perfomance-Based Individual Projects
- DANC 311 - Practicum in Dance
- DANC 312 - Ballet III
- DANC 332 - Varsity Contact
- DANC 338 - Dance at Oberlin
- DANC 340 - Arts Management II
- DANC 350 - Contemporary Global Dance
- DANC 360 - Practice as Research/Research as Practice
- DANC 394 - Collaborations: Dance, Music, and Media
- DANC 395 - Social Choreography in the Digital
- DANC 400 - Senior Project
- DANC 420F - Dance Honors - Full
- DANC 420H - Dance Honors - Half
- DANC 500 - Senior Capstone Project
- DANC 920 - Writing from the Vanishing Point
- DANC 925 - Tasting France
- DANC 995F - Private Reading - Full
- DANC 995H - Private Reading - Half
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