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Dec 04, 2024
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[DRAFT] Course Catalog 2025-2026 [ARCHIVED CATALOG]
Creative Writing Major
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Note(s) on Requirements
- Only one cross-listed 300-level workshop course may apply to the major.
- Only one practical studies course (e.g., CRWR 450) may apply to the major.
- Students must complete creative writing courses in at least two genres.
- Students must take courses at the 200- and 300-level with at least three different instructors.
Declaring the Major
Students may apply to the major in their second or third year once they have, at minimum:
- satisfactorily completed two 200-level courses, preferably in different genres, or
- satisfactorily completed one 100-level course and one 200-level course, and are in the process of completing a second 200-level course in good standing, or
- (for transfer students only) satisfactorily completed one 200-level course and have demonstrated that they have satisfactorily completed the equivalent of another 200-level creative writing course at another institution.
The department accepts applications to the major in the middle of each semester. The application is both rigorous and holistic, assessing students’ development over three main areas: professionalism, workshop citizenship, and artistic commitment. Typically, the application requires a reflection on the student’s experiences in creative writing thus far, a proposed course of study in the major, an example of a workshop feedback letter written to a peer, and a portfolio. Applications are reviewed by the entire creative writing teaching faculty.
Students not accepted into the major may often still complete the creative writing minor.
Transfer of Credit Toward the Major
No more than two full courses of transfer credit may be applied toward the creative writing major.
Credit for creative writing courses taken elsewhere may normally be applied toward the 200-level course requirement, to the literary reading and analysis requirement, or to both; however, equivalent credit is seldom given for any of the 300-level workshops.
Upon acceptance to the college, transfer students with an interest in creative writing should contact the program chair to discuss approval of previous coursework. Third-year transfer students will find it almost impossible to complete the major in four semesters and might consider the minor.
Course of Study
Students accepted to the major undertake a series of three intensive upper-level workshops: exacting, low-enrollment courses designed to test and refine the core skills and practices of maturing writers who are committed not only to their own development but also to that of their peers and to nurturing a vibrant, open-minded community of fellow craftspeople.
Acknowledging that there is no good writing without good reading, students also consult with their advisors to select textual studies courses to cultivate the careful reading and interpretation of literature that is central to any vital studio practice.
The major culminates in a substantial, closely-mentored capstone project, undertaken in a seminar setting with other capstone students. Capstone seminars include discussions of how to bring the skills and disciplines honed in the creative writing major out into the world after college.
Detailed Major Requirements
Creative Writing Major Course Lists
200-Level Creative Writing Courses
Return to the summary of requirements.
- CRWR 206 - Digital Storytelling
- CRWR 207 - Literary Journalism
- CRWR 208 - Queer Futures
- CRWR 211 - Black to the Future: Speculative Young Adult Fiction
- CRWR 212 - Word and Image: Poetry in Dialogue with Visual Art
- CRWR 213 - The Prose Poem
- CRWR 214 - The Poetry of Place
- CRWR 215 - Race and Poetic Innovation
- CRWR 216 - 4x4: Studies in the Contemporary Short Story
- CRWR 217 - Climate Fiction
- CRWR 218 - The Art of the Monologue: One-Person Plays and Other Solo (Non)Fictions
- CRWR / ENGL 219 - Person and Impersonation
- CRWR 222 - Speculative Worlds
- CRWR 224 - The Posthuman: Monsters and Beyond
- CRWR 226 - The Fairy Tale
- CRWR 229 - Dialogue and Dialect
- CRWR 230 - Form and Flexibility
- CRWR 231 - The Practice of Poetry: Rituals, Procedures, Remixes, and Constraints
- CRWR 232 - Fiction: Writing About Work
- CRWR 233 - Character and Craft
- CRWR 235 - Story and Screen
- CRWR 238 - Topics and Forms: Plot and Structure
- CRWR 241 - Queer Poetry
- CRWR 245 - Urgent Nature: Ecopoetics and Nature Poetry
- CRWR 248 - Climate Nonfiction
- CRWR 250 - Introduction to Literary Translation: Theory, History, Practice
- CRWR 251 - The Sonnet
- CRWR 252 - Poetry: Travel, Mobility, and Movement
- CRWR 254 - Poetry and the Body
- CRWR 256 - Historic(al) Fictions
- CRWR 259 - Fiction in Verse
- CRWR 268 - Ethnic American Story Cycle
- CRWR 273 - False Documents: Fiction, Fakery, and Other Falsehoods
- CRWR 279 - Weird Tales
- CRWR 280 - Small Prose Forms
- CRWR 284 - Subject and Object: Poetry as Fact and Feeling
- CRWR 285 - Strangeness and Surprise
- CRWR 286 - Who’s Afraid of Genre Fiction?
- CRWR 287 - Voice, Mood, and Tone
- CRWR 291 - Topics & Forms: The OuLiPo & Constraint
- CRWR 295 - Cinematic Storytelling Workshop
Literary Reading and Analysis Courses
Return to the summary of requirements.
Students should consult with their advisors when selecting literary reading and analysis courses.
Growing as a writer depends upon growing as a reader. The literary reading and analysis requirement asks students to deepen their knowledge of the traditions and current practices that shape the genres in which they write. The requirement may be met by courses in literature, narrative, or poetics (generally at the 200-level and above) offered by the departments of Africana studies, cinema and media, comparative literature, English, theater, and language departments such as French and Italian and East Asian studies. Literary reading and analysis credit may, in some cases, be considered for courses outside of these departments but within the arts and humanities (ARHU) division of the college. All such considerations and decisions are at the discretion of the department chair.
Students in their fourth (and sometimes their third) year may choose to substitute one of the literary reading and analysis courses for a practical studies course such as CRWR 450 or various other practica.
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