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Mar 20, 2026
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[DRAFT] Course Catalog 2026-2027 [ARCHIVED CATALOG]
Cinema and Media Major
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The major consists of a minimum of 9 full courses (or the equivalent).
Note: Students must earn minimum grades of C- or P for all courses that apply toward the major.
View the catalog page for the cinema and media department.
The cinema and media major integrates theory and practice, introducing students to the craft, history, and cultural meaning of film, television, and digital media.
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Transfer of Credit Toward the Major
The cinema and media department will accept up to the equivalent of four full courses of transfer credit to count toward the cinema and media major requirements. Two types of approval are needed. (1) Approval from the Office of the Registrar that the transfer course meets Oberlin’s transfer-of-credit eligibility standards and (2) approval from the department/program chair that the course(s) may count to the major. Current students taking post-matriculation credit must secure this approval before registering for course(s). Students who enter Oberlin as transfer students will have their pre-matriculation credit evaluated by the Office of the Registrar for elective credit, and they can later seek approval from the department/program for applying coursework to major requirements. Course of Study
Each student in the cinema and media major shapes their own program with the help of their advisor. Students begin critical studies in cinema and media with 100- and 200-level courses, which are open without prerequisites; students interested in majoring in cinema and media should plan to take CIME 290 by the end of their sophomore year. Students interested in learning film production should first take CIME 115 , which is a prerequisite for all advanced production courses. Each advanced production course may be repeated for full credit. Senior Project
All students graduating with a major in cinema and media may complete senior projects in production through CIME 475 or through a repeated advanced production course; senior projects in critical studies may be completed through an advanced critical studies course. Students who wish to complete senior projects should consult closely with their advisors. Detailed Major Requirements
Cinema and Media Major Course Lists
300-Level Critical Studies Courses
Return to the summary of requirements. Note: The two required critical studies courses must be taken at Oberlin. - CIME 307 - American Cinema in the 1970’s ⇒ cross-listed with ENGL 307
- CIME 309 - Chinese Popular Cinema and Public Intellectualism ⇒ cross-listed with EAST 309
- CIME 321 - Contemporary World Auteurs
- CIME 325 - Imagining Immanence ⇒ cross-listed with ENGL 322
- CIME 330 - Fascism, Media, and Public Memory ⇒ cross-listed with WRCM 330
- CIME 360 - Strange Cinema ⇒ cross-listed with ENGL 361
- CIME 361 - Time & the Human Condition
- CIME 369 - Turning on the Mind
- CIME 370 - Francophone Cinemas of the African Diaspora ⇒ cross-listed with FREN 470
- CIME 372 - Contemporary Literary Theory: Post-Modernity and Imagination ⇒ cross-listed with CMPL 372, ENGL 372
- CIME 375 - Realism, 1800 to the Present: The Mirror Up to Nature ⇒ cross-listed with CMPL 376, ENGL 375
- CIME 376 - Screening Spirituality
- CIME 377 - Narrative Across Platforms
- CIME 381 - Hopeful Monsters: (Mixed-)Media Studies ⇒ cross-listed with ENGL 381
- CMPL 372 - Contemporary Literary Theory: Post-Modernity and Imagination ⇒ cross-listed with CIME 372, ENGL 372
- CMPL 376 - Realism, 1800 to the Present: The Mirror Up to Nature ⇒ cross-listed with CIME 375, ENGL 375
- EAST 309 - Chinese Popular Cinema and Public Intellectualism ⇒ cross-listed with CIME 309
- ENGL 307 - American Cinema in the 1970’s ⇒ cross-listed with CIME 307
- ENGL 320 - From Frankenstein to Dracula: At the Margins of 19th-Century Britain
- ENGL 322 - Imagining Immanence ⇒ cross-listed with CIME 325
- ENGL 361 - Strange Cinema ⇒ cross-listed with CIME 360
- ENGL 372 - Contemporary Literary Theory: Post-Modernity and Imagination ⇒ cross-listed with CIME 372, CMPL 372
- ENGL 375 - Realism, 1800 to the Present: The Mirror Up to Nature ⇒ cross-listed with CIME 375, CMPL 376
- ENGL 381 - Hopeful Monsters: (Mixed-)Media Studies ⇒ cross-listed with CIME 381
- FREN 401 - Back to the Future: The French New Wave
300-Level Cinema and Media Major Elective Courses
Return to the summary of requirements. - CIME 307 - American Cinema in the 1970’s ⇒ cross-listed with ENGL 307
- CIME 309 - Chinese Popular Cinema and Public Intellectualism ⇒ cross-listed with EAST 309
- CIME 313 - Stop Motion Animation Workshop
- CIME 315 - Queer Media, Activism, and Thought in France: Case Studies ⇒ cross-listed with FREN 315, GSFS 315
- CIME 320 - Documentary Production
- CIME 321 - Contemporary World Auteurs
- CIME 322 - Experiments in Moving Image and Sound I
- CIME 324 - The Short Fiction Film
- CIME 325 - Imagining Immanence ⇒ cross-listed with ENGL 322
- CIME 326 - The Personal Narrative
- CIME 330 - Fascism, Media, and Public Memory ⇒ cross-listed with WRCM 330
- CIME 335 - Advanced Screenwriting Workshop ⇒ cross-listed with CRWR 335
- CIME 342 - Experiments in Moving Image and Sound II
- CIME 360 - Strange Cinema ⇒ cross-listed with ENGL 361
- CIME 361 - Time & the Human Condition
- CIME 364 - Advanced Film Making Projects
- CIME 369 - Turning on the Mind
- CIME 370 - Francophone Cinemas of the African Diaspora ⇒ cross-listed with FREN 470
- CIME 372 - Contemporary Literary Theory: Post-Modernity and Imagination ⇒ cross-listed with CMPL 372, ENGL 372
- CIME 375 - Realism, 1800 to the Present: The Mirror Up to Nature ⇒ cross-listed with CMPL 376, ENGL 375
- CIME 376 - Screening Spirituality
- CIME 377 - Narrative Across Platforms
- CIME 381 - Hopeful Monsters: (Mixed-)Media Studies ⇒ cross-listed with ENGL 381
- CIME 388 - Advanced Cinematography
- CIME 389 - Advanced Editing
- CIME 475 - Advanced Filmmaking Projects
- CMPL 319 - Films of the Global Diaspora ⇒ cross-listed with ENGL 319
- CMPL 372 - Contemporary Literary Theory: Post-Modernity and Imagination ⇒ cross-listed with CIME 372, ENGL 372
- CMPL 376 - Realism, 1800 to the Present: The Mirror Up to Nature ⇒ cross-listed with CIME 375, ENGL 375
- CRWR 335 - Advanced Screenwriting Workshop ⇒ cross-listed with CIME 335
- EAST 309 - Chinese Popular Cinema and Public Intellectualism ⇒ cross-listed with CIME 309
- ENGL 307 - American Cinema in the 1970’s ⇒ cross-listed with CIME 307
- ENGL 319 - Films of the Global Diaspora ⇒ cross-listed with CMPL 319
- ENGL 320 - From Frankenstein to Dracula: At the Margins of 19th-Century Britain
- ENGL 322 - Imagining Immanence ⇒ cross-listed with CIME 325
- ENGL 361 - Strange Cinema ⇒ cross-listed with CIME 360
- ENGL 372 - Contemporary Literary Theory: Post-Modernity and Imagination ⇒ cross-listed with CIME 372, CMPL 372
- ENGL 375 - Realism, 1800 to the Present: The Mirror Up to Nature ⇒ cross-listed with CIME 375, CMPL 376
- ENGL 381 - Hopeful Monsters: (Mixed-)Media Studies ⇒ cross-listed with CIME 381
- FREN 399 - The Poetics and Politics of French Documentary and the Essay Film
- FREN 401 - Back to the Future: The French New Wave
- PRAX 300 - Integrated Arts Workshop
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