CINE 250 - French Cinema, Intersectional and Feminist

FC ARHU CD

4 credits
This historical survey of French cinema tells a story that has long been suppressed but rewritten by feminist scholars who did nothing less than excavate the many artistic and cultural contributions of women filmmakers from the beginning of film to its present. Students learn about the usual periods of French cinema (Surrealism, 1930s Poetic Realism, Occupation, New Wave, contemporary film), but also study film direction, stardom, acting, editing, and producing-all through its leading women. A study of the history of industrialization, cultural policy, state regulation, and colonialism helps address the conceptualization of French cinema as a ‘national cinema,’ despite its international artistic heritage and audiences. It also foucses on opportunities for intersectional and feminist approaches that value discussions of race, gender, and class.
Prerequisites & Notes: CINE 110 or another course in French is strongly recommended, but not required.
This course is cross-listed with FREN 320

This course is appropriate for new students.