Course Catalog 2020-2021 [ARCHIVED CATALOG]
Africana Studies
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Darko Opoku, Associate Professor of Africana Studies, Chair
Yveline Alexis, Assistant Professor of Africana Studies and Comparative American Studies
Pam Brooks, Jane and Eric Nord Associate Professor of Africana Studies
Talise Campbell, Visiting Assistant Professor of Africana Studies and Dance
Johnny Coleman, Professor of Africana Studies and Studio Art
Justin Emeka, Associate Professor of Africana Studies and Theater
Meredith M. Gadsby, Associate Professor of Africana Studies and Comparative American Studies
Caroline Jackson Smith, Professor of Africana Studies and Theater
Charles Peterson, Associate Professor of Africana Studies
Candice Raynor, Lecturer and Director and Faculty-in-Residence, Afrikan Heritage House
Visit the department webpage for up-to-date information on department faculty, visiting lecturers and special events.
The Africana Studies Department is a multidisciplinary program of study that seeks, through the humanities and social sciences, to explore key aspects of the Black experience in a systematic and structurally integrated fashion. Its broad educational purposes are to engender among all students an intellectual appreciation of life, culture and history in Africa, the Americas and the Diaspora; to enrich the Oberlin College curriculum; and to increase the relevance of an Oberlin education to a culturally diverse world. Thus, the Department strives to provide the general student body with substantive knowledge of the Africana experience and to provide majors with a range of critical, intellectual, artistic and evaluative skills useful in any of their future pursuits. The department is aided in its efforts by the Afrikan Heritage House, which serves as the College’s African Diasporan communal and cultural center.
Curriculum
The Africana Studies Department curriculum offers extensive study of the Black experience in a diasporic setting, including but not limited to, Africa, North America, and the Caribbean. These offerings are arranged in three categories: introductory, intermediate, and advanced. All introductory courses are open without prerequisite, except as indicated in the course description. Africana Studies 101 and other beginning courses may serve as prerequisites to all intermediate and advanced courses.
See information about Research, Internships, Study Away and Experiential Learning (RISE).
Transfer of Credit
Students transferring credits in Africana Studies from courses taken at other institutions may apply a maximum of three full courses or the equivalent toward the major with the approval of the department. Individual cases for students who transfer into the College after their sophomore year will be reviewed by the department.
Private Reading
Students may schedule a private reading course during their junior or senior years. No more than one reading course may be taken in any one semester, nor more than two during the undergraduate program. Normally the private readings may not duplicate regularly scheduled course.
Explore Winter Term projects and opportunities.
Majors and Minors
CoursesAfricana Studies- AAST 060 - Probs: Talking Book Workshop
- AAST 072 - Blues Aesthetic: Continuity and Transformation
- AAST 101 - Introduction to Africana Studies
- AAST 117 - Immigrant and Second-Generation American Narratives
- AAST 122 - Caribbean Survey: Cuba, Haiti, and the Dominican Republic Part I: Introductory
- AAST 123 - Caribbean Survey: Cuba, Haiti, and the Dominican Republic Part II: Introductory
- AAST 131 - Traditional African Cosmology and Religions: Shifting Contours and Contested Terrains
- AAST 132 - Introduction to African Studies: Patterns, Issues and Controversies
- AAST 158 - Something from Something
- AAST 161 - Capoeira Angola I
- AAST 171 - Introduction to African American Music I
- AAST 172 - Introduction to African American Music II
- AAST 190 - West African Dance Forms I
- AAST 191 - West African Dance Forms II
- AAST 199 - Dance Forms of the African Diaspora
- AAST 199H - Dance Forms–African Diaspora
- AAST 202 - African American History Since 1865
- AAST 203 - Introduction to the Early History of Africa
- AAST 213 - Long Walk to Freedom: South Africa Since 1948
- AAST 216 - Lifting as We Climb: Historically Black Colleges and the Cultural Ideology of Education
- AAST 217 - Unspoken Images: Complex Identities in Black Film
- AAST 218 - M4BL: History and Practice of An Idea
- AAST 219 - Freedom Movements: Civil Rights and Black Power
- AAST 220 - Doin’ Time: A History of Black Incarceration
- AAST 221 - Historic and Contemporary Debates in African American Education
- AAST 222 - Historic and Contemporary Debates in African American Education II
- AAST 223 - Africa, Memory & Diasporic Identity
- AAST 223OC - Africa, Memory & Diasporic Identity
- AAST 224 - Beginning Choreography in Cultural Traditions
- AAST 227 - Saint Domingue/Haiti in the Atlantic World
- AAST 228 - Katrina and Black Freedom Struggle
- AAST 229 - Radical Thinkers and Movements in the Caribbean
- AAST 231 - African American Politics
- AAST 232 - Africana Philosophy
- AAST 234 - Africana Popular Culture
- AAST 235 - Government and Politics of Africa
- AAST 236 - Politics and Society in Africa since the 1980s
- AAST 237 - Colonial America, 1880’s-1960
- AAST 248 - Resistance and Voice: Literature of the African Diaspora
- AAST 249 - Afruturism and Black Speculative Fiction: Black to the Future
- AAST 254 - Independent Africa, 1957-1994
- AAST 258 - Problems: Talking Book
- AAST 261 - Framing Blackness: African Americans and Film In The United States 1915 to the Present
- AAST 262 - Capoeira Angola II
- AAST 263 - Black English and Voice: An Introduction to Sociolinguistics
- AAST 264 - African American Drama
- AAST 265 - We Real Cool: Considering Afrofuturism in Black Performances
- AAST 268 - Black Arts Workshop
- AAST 272 - Reading and Writing Horror and Speculative Fiction from the African Diaspora
- AAST 278 - Playwrighting and Performance in the Time of the Black Lives Matter Movement
- AAST 280 - Africana Philosophies of Education
- AAST 281 - Practicum in Tutoring
- AAST 282 - Black Nationalism
- AAST 285 - African American Women’s History
- AAST 290 - Ritual and Performance II
- AAST 302 - Marxism and the Black Radical Tradition
- AAST 305 - Interpreting Tom Tom: An Epic of Music and The Negro
- AAST 315 - Acting III: Black and Brown Playwrights
- AAST 321 - Seminar: Black Feminist Thought: A Historical Perspective
- AAST 323 - Folkloric Foundations
- AAST 337 - African Capitalists and African Development: Seminar
- AAST 346 - Contemporary African American Literature: 1960-Present
- AAST 347 - Culture, History, and Identity: Caribbean Literature and the Politics of Survival
- AAST 350 - Intermediate Seminar: Research and Practice in Africana Studies
- AAST 357 - Empire and Resistance in the Caribbean (Haiti, Jamaica, Grenada, & Trinidad)
- AAST 361 - Framing Blackness II: African Americans and Cinema in the Late 20th and Early 21st Centuries
- AAST 363 - Capoeira Angola III
- AAST 368 - Black Arts Workshop II: African Diasporan Culture in Perfomance from Blues to Hip Hop
- AAST 370 - Djapo Dance @ Oberlin
- AAST 372 - The Word and The Beat
- AAST 378 - Sociology of African-American Community
- AAST 390F - Essence Dance Class - Full
- AAST 390H - Essence Dance Class - Half
- AAST 391F - Dance Diaspora - Full
- AAST 391H - Dance Diaspora - Half
- AAST 410 - Debates in African History
- AAST 450 - Senior Seminar
- AAST 501F - Senior Honors - Full
- AAST 501H - Senior Honors - Half
- AAST 502F - Senior Honors - Full
- AAST 502H - Senior Honors - Half
- AAST 995F - Private Reading - Full
- AAST 995H - Private Reading - Half
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