Course Catalog 2020-2021 [ARCHIVED CATALOG]
Art
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Art History
Christina Neilson, Associate Professor of Renaissance and Baroque Art History, Co-Chair
Bonnie Cheng, Associate Professor
Erik Inglis, Professor
Matthew Rarey, Assistant Professor
Studio Art
Julia Christensen, Associate Professor of Studio Art, Co-Chair
Johnny Coleman, Professor
Pipo Nguyen-Duy, Professor
Kristina Paabus, Associate Professor
Sarah Schuster, Professor
Nanette Yannuzzi, Professor
Visit the department webpage for up-to-date information on department faculty, visiting lecturers and special events.
The Department of Art faculty consists of a nearly even number of artists and art historians. These numbers underscore the department’s interest in, and commitment to, a balanced study of the visual arts in a liberal arts curriculum. The Allen Memorial Art Museum is an important resource for art students. Courses routinely meet there and students have the opportunity to participate in the Museum’s Docent program. Introductory courses - whether in studio or art history - presuppose that the student has no prior experience in art. The three majors offered - art history, studio, and visual arts - are designed to offer individuals a solid preparation for graduate school or a career in art-related fields.
Majors in the Art Department
The Department of Art insists that its programs of major study be deeply integrated with the overall liberal arts education that Oberlin both endorses and offers. In planning their programs of study, students should therefore keep in mind the fact that all three major programs may be completed within the two final years of work towards the BA degree.
See information about Research, Internships, Study Away and Experiential Learning (RISE).
Advanced Placement
A grade of 5 on the AP exam in Art History may be transferred as one full course to the Oberlin transcript. However, the department offers no major credit, and no exemption from major requirements, for AP work in Art History.
Transfer of Credit/Major Credit for Off-Campus Study
The Art Department’s preliminary approval must be obtained before beginning work away from Oberlin if this work is to be counted as credit for the major. Students must receive tentative prior approval from the Chairperson of the Art Department before leaving campus. On return, students must supply both an official transcript and evidence of the nature of the work done. Such requests, as well as those of transfer students, will be handled on an individual basis. The department is not obliged to give credit for work that fails to fit the general patterns of the Oberlin curriculum or that fails to come up to Oberlin’s standards, no matter how valuable a student feels the experience has been, or how much time and effort has been expended.
Explore Winter Term projects and opportunities.
Majors and Minors
CoursesArt History- ARTH 100 - Themes in Western Art
- ARTH 110 - Christian Art: A Global History
- ARTH 150 - Approaches to Western Art
- ARTH 152 - Approaches to Chinese and Japanese Art
- ARTH 153 - Approaches to Islamic Art and Architecture
- ARTH 154 - Approaches to African Art
- ARTH 210 - Medieval Art
- ARTH 211 - Illuminated Manuscripts
- ARTH 212 - Monastic Art of the Middle Ages and Renaissance
- ARTH 213 - Late Medieval Art
- ARTH 214 - Synagogues, Churches and Mosques: Sacred Art of the Medieval Mediterranean
- ARTH 215 - Saints and Relics in Medieval and Renaissance Art
- ARTH 216 - Romanesque & Gothic Art
- ARTH 217 - Ancient and Early Medieval Art: from Augustus to Charlemagne
- ARTH 218 - From Emperor to Pope: Art, Architecture, and Urbanism in Ancient and Medieval Rome
- ARTH 223 - Politics and Protest: Modern Chinese Art
- ARTH 225 - Pleasure and Design in Confinement: Japanese Prints in and after Edo
- ARTH 226 - Monks, Miracles, and Magic: Buddhist Art in East Asia
- ARTH 227 - Topics in East Asian Art: Monuments in a Comparative Perspective
- ARTH 267 - Building Bakunin’s Barricade
- ARTH 269 - Beyond the Plane: Photography as Intermedium
- ARTH 270 - Africa, Europe, and the Art of Colonization
- ARTH 271 - Looking for Africa in Brazil
- ARTH 272 - Sacred Arts of Vodou and Santeria
- ARTH 290 - Gender and the Visual Arts in Europe, 1450-1750
- ARTH 291 - Baroque Art
- ARTH 292 - Art of the Italian Renaissance
- ARTH 293 - Art, Politics, Religion in 16th Century Italy
- ARTH 294 - The Arts of Conquest and Resistance in 17th century Europe and Latin America
- ARTH 299 - Methods of Art History
- ARTH 310 - Word and Image in Medieval Art
- ARTH 311 - Art History without a License
- ARTH 312 - Art at the Valois Courts
- ARTH 313 - Illuminated Manuscripts in Oberlin Collections
- ARTH 326 - Death and Dying in East Asian Art
- ARTH 327 - Image/Object: Material and Mediation in Chinese Art
- ARTH 328 - New Ghosts Old Dreams: The Art of Post-Imperial China
- ARTH 329 - Cultural Property? Art, Heritage, Ownership
- ARTH 370 - Slavery and the Problem of the Visual
- ARTH 371 - African Art in Museums: From Collection to Display
- ARTH 390 - Wood, Flesh, Metal, Blood
- ARTH 391 - Love, Lust, and Desire in Renaissance Art
- ARTH 499 - Honors in Art History
- ARTH 995F - Private Reading - Full
- ARTH 995H - Private Reading - Half
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