Course Catalog 2024-2025
Cinema and Media
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Geoffrey B. Pingree, Professor of Cinema and Media and English; chair
Grace An, Associate Professor of Cinema and Media and French
Elizabeth (Rian) U. Brown-Orso, Professor of Cinema and Media
William Patrick Day, Professor of Cinema and Media and English
David M. Gutherz, Lecturer of Cinema and Media
Jay Johnson, Instructor of Cinema and Media
Jeffrey S. Pence, Associate Professor of Cinema and Media and English
Joseph E. Rizzolo, Instructor of Cinema and Media and Media Engineer
Joshua D. Sperling, Assistant Professor of Cinema and Media and Creative Media Director of Arts and Sciences
Affiliated Faculty/Staff
Hsiu-Chuang Deppman, Professor of East Asian Studies
Visit the department web page for up-to-date information on department faculty, visiting lecturers, and special events.
The Department of Cinema and Media at Oberlin College offers courses in filmmaking, screenwriting, and critical studies. Our department deals with cinema as an artistic practice and as a dynamic part of cultural and social history, placing cinema in the contexts of other media as well as viewing it through the perspective of a global network of the moving image.
As a department in a liberal arts college, we believe that studying cinema and making movies is an important way of learning about the world and how we live and act in it today. The moving image in all its forms and manifestations-from traditional theatrical movies and television to digital streaming platforms-represents, mediates, and shapes our understanding of the world, our own experience, and our experience of others. Studying and creating cinema enhances our vision-in every sense of the term-of our world.
See information about Research, Internships, Study Away, and Experiential Learning (RISE).
Explore Winter Term projects and opportunities.
Departmental Policies
Transfer of Credit for Content Taught by the Department
For approval of transfer credit toward meeting prerequisites for upper-level courses, students should consult with the department chair, preferably with syllabi in hand.
Majors, Minors, and Integrative Concentrations
Curriculum
Cinema and media courses at the 100- and 200-level cover critical studies topics and are open without prerequisites and available to students regardless of major.
First-Year Seminar Program
Although first-year seminars (FYSP) do not count toward the major, FYSP related to cinema and media are regularly taught by department faculty. These small, intensive courses provide one means of preparation for the study of cinema, and are invaluable to first-year students in the college as they develop skills in critical and creative thinking, reading, viewing, analysis, writing, and discussion.
Production Courses
Students in production courses are required to purchase their own external hard drives and A/V supplies, including memory cards, DVDs, and Blu-ray discs. Production courses require a lab fee. In addition, students must sign and abide by a Facilities Use Contract to gain access to cinema and media production facilities.
Courses- CIME 112 - Introduction to American Documentary: 1960 to the Present
- CIME 115 - Film Production Studio: Camera, Lighting, Sound, Editing
- CIME 116 - Film Experience: The Cinematic World
- CIME 117 - Sound and Cinema
- CIME 130 - Introduction to Screenwriting
- CIME 173 - American Cinema, 1966-1990
- CIME 174 - American Cinema 1977-1990
- CIME 175 - Modern Latin American Cinema
- CIME 180 - Selected Directors: Terrence Malick
- CIME 189 - Cinematography and the Craft of Cinematic Storytelling
- CIME 202 - Modern Latin American Cinema
- CIME 206 - Modern Chinese Literature and Film: The Art of Adaptation
- CIME 211 - What is Media?
- CIME 225 - Sound for Filmmakers
- CIME 226 - Intro to Audio Documentary and Drama
- CIME 250 - French Cinema, Intersectional and Feminist
- CIME 277 - Visual Storytelling for Directors
- CIME 282 - Hollywood Narrative & Genre
- CIME 290 - What is Cinema?
- CIME 291 - Fundamentals of Cinema Production
- CIME 295 - Cinematic Storytelling Workshop
- CIME 298 - Video Production Workshop I
- CIME 309 - Chinese Popular Cinema and Public Intellectualism
- CIME 313 - Stop Motion Animation Workshop
- CIME 315 - Queer Media, Activism, and Thought in France: Case Studies
- CIME 320 - Documentary Production
- CIME 321 - Contemporary World Auteurs
- CIME 322 - Experiments in Moving Image and Sound I
- CIME 324 - The Short Fiction Film
- CIME 325 - Imagining Immanence
- CIME 326 - The Personal Narrative
- CIME 330 - Fascism, Media, and Public Memory
- CIME 335 - Advanced Screenwriting Workshop
- CIME 342 - Experiments in Moving Image and Sound II
- CIME 360 - Strange Cinema
- CIME 361 - Time & the Human Condition
- CIME 364 - Advanced Film Making Projects
- CIME 369 - Turning on the Mind
- CIME 370 - Francophone Cinemas of the African Diaspora
- CIME 372 - Contemporary Literary Theory: Post-Modernity and Imagination
- CIME 375 - Realism, 1800 to the Present: The Mirror Up to Nature
- CIME 376 - Screening Spirituality
- CIME 377 - Narrative Across Platforms
- CIME 381 - Hopeful Monsters: (Mixed-)Media Studies
- CIME 388 - Advanced Cinematography
- CIME 475 - Advanced Filmmaking Projects
- CIME 995F - Private Reading - Full
- CIME 995H - Private Reading - Half
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