[DRAFT] Course Catalog 2026-2027 [ARCHIVED CATALOG]
Creative Writing
|
|
Emily Barton, Associate Professor of Creative Writing; chair
Ghassan Abou-Zeineddine, Assistant Professor of Creative Writing
Brendan Beseth, Lecturer of Creative Writing and Screenwriting
Jonathan Conley, Lecturer of Creative Writing
Amaryllis Chanda Feldman, Eric and Jane Nord Associate Professor of Creative Writing
Amanda Hodes, Lecturer of Creative Writing
Thomas Israel Hopkins, Senior Lecturer of Creative Writing
Uchechukwu (Uche) A. Okonkwo, Assistant Professor of Creative Writing
Angela (Cleo) F. Qian, Visiting Assistant Professor of Creative Writing
Elizabeth Lindsey Rogers, Assistant Professor of Creative Writing and Community-Based Learning and Director of Oberlin Writers-in-the-Schools
Clara E. Rosarius, Visiting Assistant Professor of Creative Writing
Lauren A. Tess, Visiting Assistant Professor of Creative Writing
Visit the department web page for up-to-date information on department faculty, visiting lecturers, and special events.
Oberlin offers undergraduates the rare opportunity to major in creative writing–not as a concentration in another department, but as an independent discipline in its own right. The Creative Writing Department at Oberlin College provides an intense and rigorous course of study with instruction, studio training, and coursework in a variety of genres, including poetry, fiction, nonfiction, drama, translation, screenwriting, and hybrid forms. Our department encourages work across disciplines and prepares students for a range of careers both within and beyond the literary world.
Creative writing at Oberlin emphasizes an inclusive workshop climate where creative expression, experimentation, and collaboration thrive. Because ours is more than just a studio program, our students employ the skills of open inquiry and intellectual curiosity: their liberal arts education enriches their creative work, and their creativity inspires rigorous cross- and interdisciplinary thinking both in the classroom and beyond.
Majors, Minors, and Integrative Concentrations
Curriculum
Introductory courses acquaint aspiring majors and non-majors with the craft of writing, focusing on the differences and commonalities between multiple genres. 200-level courses, which are open to majors and non-majors, narrow the focus to topics and questions that pertain to genres and forms. 300-level workshops and 400-level courses are open to majors and minors only, with occasional exceptions. For example, CRWR 450 , which brings its students into the local schools to teach poetry, has at times admitted non-majors who are completing the education studies integrative concentration .
The department has designed its curriculum so that students have opportunities throughout to engage with arts and other fields at Oberlin, as well as with the broader community through, for example, practica in the local schools. Oberlin creative writing students who wish to pursue the BA/BFA degree program will be well prepared for such interdisciplinary collaboration.
Because there is great demand for creative writing courses at all levels, and because writers at all levels have much to learn from breadth in their studies, the faculty urges all students to register for no more than one creative writing course per term. Students seeking an exception to this practice should contact the chair.
Courses- CRWR 110 - Poetry Lab
- CRWR 120 - Fiction Lab
- CRWR 130 - Screenwriting Lab
- CRWR 140 - Introduction to Creative Nonfiction
- CRWR 195 - The Practice of Writing
- CRWR 207 - Literary Journalism
- CRWR 208 - Queer Futures, Queer Bodies
- CRWR 211 - Black to the Future: Speculative Young Adult Fiction
- CRWR 212 - Word and Image: Poetry in Dialogue with Visual Art
- CRWR 213 - The Prose Poem
- CRWR 214 - The Poetry of Place
- CRWR 215 - Race and Poetic Innovation
- CRWR 218 - The Art of the Monologue: One-Person Plays and Other Solo (Non)Fictions
- CRWR 227 - Beyond the Page: Hybrid Poetics
- CRWR 229 - Dialogue and Dialect
- CRWR 230 - Form and Flexibility
- CRWR 231 - The Practice of Poetry: Rituals, Procedures, Remixes, and Constraints
- CRWR 233 - Character and Craft
- CRWR 236 - Writing Childhood in Fiction
- CRWR 237 - New Media Writing
- CRWR 238 - Plot and Structure
- CRWR 241 - Queer Poetry
- CRWR 248 - Chronicles of a Crisis Foretold
- CRWR 250 - Introduction to Literary Translation: Theory, History, Practice
- CRWR 251 - The Sonnet
- CRWR 252 - Poetry: Travel, Mobility, and Movement
- CRWR 254 - Poetry and the Body
- CRWR 256 - Historic(al) Fictions
- CRWR 259 - Fiction in Verse
- CRWR 268 - Ethnic American Story Cycle
- CRWR 273 - False Documents: Fiction, Fakery, and Other Falsehoods
- CRWR 279 - Weird Tales
- CRWR 286 - Who’s Afraid of Genre Fiction?
- CRWR 291 - Topics & Forms: The OuLiPo & Constraint
- CRWR 295 - Cinematic Storytelling Workshop
- CRWR 307 - The Art of Podcasting
- CRWR 310 - Poetry Workshop
- CRWR 311 - Advanced Poetry Workshop 2: Special Topics in Poetry
- CRWR 312 - Poetic Sequences
- CRWR 317 - Between Lyric and Narrative: Transitional Prose Forms
- CRWR 320 - Fiction Workshop
- CRWR 321 - Special Topics in Fiction: The Sentence
- CRWR 322 - Speculative Fiction
- CRWR 323 - Experiments in Narrative Fiction
- CRWR 324 - Young Adult Fiction Workshop
- CRWR 325 - Creating the Novel
- CRWR 326 - Formas breves: Fiction Workshop in Spanish
- CRWR 332 - Song and Book
- CRWR 335 - Advanced Screenwriting Workshop
- CRWR 340 - Nonfiction Workshop
- CRWR 341 - Lyric Essay
- CRWR 350 - Advanced Translation Workshop: Poetry
- CRWR 351 - Advanced Translation Workshop: Prose and Drama
- CRWR 450 - Teaching Imaginative Writing
- CRWR 485 - Practicum
- CRWR 486 - Writers in the Schools Practicum
- CRWR 490 - Creative Writing Capstone Seminar
- CRWR 995F - Private Reading - Full
- CRWR 995H - Private Reading - Half
|