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Dec 04, 2024
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[DRAFT] Course Catalog 2025-2026 [ARCHIVED CATALOG]
Cinema and Media Major
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The major consists of a minimum of 9 full courses (or the equivalent).
Note: Students must earn minimum grades of C- or P for all courses that apply toward the major.
View the catalog page for the cinema and media department.
The cinema and media major is not divided into separate tracks as the department believes that knowing about how movies are made enhances critical work while a knowledge of the history and theory of cinema supports filmmaking.
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Note(s) on Requirements
- At least five of the required nine courses must be cinema and media courses; up to four of the required courses may be taken in such other departments and programs as TIMARA, creative writing, theater, studio art, English, comparative literature, Africana studies, and East Asian studies.
- At least two of the required critical studies courses must be taken at the 300-level or above.
- Major elective courses should be chosen by the student in consultation with a major advisor; these courses may be taught by cinema and media faculty or by faculty in related departments.
Transfer of Credit Toward the Major
For approval of transfer credit toward the major, students should consult with the department chair, preferably with syllabi in hand.
- No more than four full courses or the equivalent of transfer credit may be applied to the major.
- No more than one 300-level course may be transferred for credit.
Study Away and Other Sponsored Off-Campus Programs
The Cinema and Media Department has consortial arrangements with the Prague Film School (PFS) and with the Film Program at New York University’s Tisch School of the Arts. All film courses offered at PFS and Tisch, including those in film production, may count toward the cinema and media major.
- Students may earn up to 16 credits during a semester at either program, which will count toward the major elective requirement.
- In addition, students may substitute these credits for one 300-level production course for the major.
Students interested in transferring credit from these or other off-campus programs should consult with the department chair. Both CIME 290 and CIME 298 should be taken before studying away.
Course of Study
Each student in the cinema and media major shapes their own program with the help of their advisor.
Students begin critical studies in cinema with 100- and 200-level courses which are open without prerequisites; students interested in majoring in cinema and media should plan to take CIME 290 by the end of their sophomore year.
While the department offers a general introductory course in film production (CIME 291 ), we also think students can begin learning to make movies by choosing the kind of filmmaking that most interests them from among the 300-level cinema workshops (CIME 313 , CIME 320 , CIME 324 , CIME 326 ). These small-enrollment courses have special tutorial sessions for students with little or no experience in filmmaking. Each of these courses may be repeated for full credit.
Senior Project
All students graduating with a major in cinema and media may submit senior projects in production or critical studies to be considered for award recognition at the end of their senior year.
Detailed Major Requirements
Cinema and Media Major Course Lists
Cinema and Media Major Elective Courses
Return to the summary of requirements.
- AAST 242 - Framing the Hood: Examining the “Hood Film” and its Significance in Black Art Culture
- AAST 261 - Framing Blackness: African Americans and Film in The United States, 1915 to the Present
- ARST 141 - Introduction to Black-and-White Photography
- ARST 241 - Intermediate Photo Project Seminar
- CIME 112 - Introduction to American Documentary: 1960 to the Present
- CIME 115 - Film Production Studio: Camera, Lighting, Sound, Editing
- CIME 116 - Film Experience: The Cinematic World
- CIME 117 - Sound and Cinema
- CIME 130 - Introduction to Screenwriting
- CIME 173 - American Cinema, 1966-1990
- CIME 174 - American Cinema 1977-1990
- CIME 175 - Modern Latin American Cinema
- CIME 180 - Selected Directors: Terrence Malick
- CIME 189 - Cinematography and the Craft of Cinematic Storytelling
- CIME 202 - Modern Latin American Cinema
- CIME 206 - Modern Chinese Literature and Film: The Art of Adaptation
- CIME 211 - What is Media?
- CIME 225 - Sound for Filmmakers
- CIME 226 - Intro to Audio Documentary and Drama
- CIME 248 - Belonging: Socially Engaged Multi-Media Art Making
- CIME 249 - Journalistic Skills as Life Skills
- CIME 250 - French Cinema, Intersectional and Feminist
- CIME 277 - Visual Storytelling for Directors
- CIME 282 - Hollywood Narrative & Genre
- CIME 290 - What is Cinema?
- CIME 291 - Fundamentals of Cinema Production
- CIME 295 - Cinematic Storytelling Workshop
- CIME 298 - Video Production Workshop I
- CIME 309 - Chinese Popular Cinema and Public Intellectualism
- CIME 313 - Stop Motion Animation Workshop
- CIME 315 - Queer Media, Activism, and Thought in France: Case Studies
- CIME 320 - Documentary Production
- CIME 321 - Contemporary World Auteurs
- CIME 322 - Experiments in Moving Image and Sound I
- CIME 324 - The Short Fiction Film
- CIME 325 - Imagining Immanence
- CIME 326 - The Personal Narrative
- CIME 330 - Fascism, Media, and Public Memory
- CIME 335 - Advanced Screenwriting Workshop
- CIME 342 - Experiments in Moving Image and Sound II
- CIME 360 - Strange Cinema
- CIME 361 - Time & the Human Condition
- CIME 364 - Advanced Film Making Projects
- CIME 369 - Turning on the Mind
- CIME 370 - Francophone Cinemas of the African Diaspora
- CIME 372 - Contemporary Literary Theory: Post-Modernity and Imagination
- CIME 375 - Realism, 1800 to the Present: The Mirror Up to Nature
- CIME 376 - Screening Spirituality
- CIME 377 - Narrative Across Platforms
- CIME 381 - Hopeful Monsters: (Mixed-)Media Studies
- CIME 388 - Advanced Cinematography
- CIME 475 - Advanced Filmmaking Projects
- CIME 995F - Private Reading - Full
- CIME 995H - Private Reading - Half
- CMPL 277 - Israel/Palestine in Literature and Film
- CMPL 372 - Contemporary Literary Theory: Post-Modernity and Imagination
- CMPL 376 - Realism, 1800 to the Present: The Mirror Up to Nature
- CRWR 365 - Cinematic Storytelling Workshop
- CSCI 365 - Advanced Algorithms
- EAST 118 - Modern Japanese Literature and Film
- EAST 206 - Modern Chinese Literature and Film: The Art of Adaptation
- EAST 309 - Chinese Popular Cinema and Public Intellectualism
- ENGL 320 - From Frankenstein to Dracula: At the Margins of 19th-Century Britain
- ENGL 322 - Imagining Immanence
- ENGL 372 - Contemporary Literary Theory: Post-Modernity and Imagination
- ENGL 375 - Realism, 1800 to the Present: The Mirror Up to Nature
- ENGL 381 - Hopeful Monsters: (Mixed-)Media Studies
- FREN 320 - French Cinema, Intersectional and Feminist
- FREN 401 - Back to the Future: The French New Wave
- FREN 399 - The Poetics and Politics of French Documentary and the Essay Film
- HIST 207 - Cinema, Memory, and Politics in Egypt
- JWST 277 - Israel/Palestine in Literature and Film
- TECH 101 - Introduction to Electroacoustic Music
- TECH 201 - Electroacoustic Studio Tech
- THEA 245 - Queer and Trans Performance Practice
- THEA 271 - Staging Consent and Intimacy in Theater
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