Courses Offered by the Conservatory of Music

Applied Studies

• •  APST 100 - The Craft of Composition
• •  APST 101 - Beginning Piano I
• •  APST 102 - Beginning Piano II
• •  APST 110 - Piano Class I
• •  APST 111 - Piano Class II
• •  APST 112 - Keyboard Accompanying (Vocal)
• •  APST 113 - Keyboard Accompanying (Instrumental)
• •  APST 114 - Introduction to the Organ
• •  APST 118 - Vocal Studies Seminar
• •  APST 119 - Movement for Singers
• •  APST 120 - Beginning Voice Class
• •  APST 121 - Performing Beethoven’s Violin Sonatas
• •  APST 121A - Bach at the Clavier
• •  APST 121B - Bach at the Clavier
• •  APST 122 - Performing Beethoven’s Cello Sonatas
• •  APST 136 - Percussive Sounds Objects
• •  APST 136OC - Percussive Sound Objects
• •  APST 140 - Internalizing Rhythms I
• •  APST 141 - Internalizing Rhythms II
• •  APST 142 - Beginning Improvisation
• •  APST 143 - Approaches and Philosophies of Free Music
• •  APST 144 - Mindfulness in Music Making
• •  APST 204 - Interpretation of Art Song
• •  APST 212 - Advanced Piano Class I
• •  APST 213 - Advanced Piano Class II
• •  APST 214 - Keyboard Skills I
• •  APST 215 - Keyboard Skills II
• •  APST 216 - Keyboard Skills for Organists I: Piano Technique
• •  APST 217 - Keyboard Skills for Organists II: Hymn and Liturgical Music Playing
• •  APST 218 - Keyboard Skills for Organists III: Improvisation
• •  APST 221 - Sacred Music Skills I
• •  APST 222 - Sacred Music Skills II
• •  APST 223 - Sacred Music Project
• •  APST 235 - Percussion Instruments
• •  APST 236 - World Percussion Advanced Techniques
• •  APST 240 - Continuo Realiz at Keyboard
• •  APST 241 - Introduction to Historical Keyboard Instruments for Pianists
• •  APST 242 - Introductory Baroque Violin for Violinists
• •  APST 244 - Advanced Baroque Violin for Violinists
• •  APST 245 - Baroque Cello for Cellists
• •  APST 246 - Continuo Playing for Cello and Bass
• •  APST 260 - Conducting I: Techniques of Conducting
• •  APST 261 - Conducting II: Instrumental Analysis
• •  APST 262 - Conducting II: Choral Analysis
• •  APST 280 - Prima Vista Group Reading
• •  APST 282 - Orchestral Repertoire for Viola
• •  APST 283 - Orchestra Repertoire for Flute
• •  APST 284 - Orchestral Repertoire for Violin
• •  APST 285 - Orchestral Repertoire for Double Bass
• •  APST 300 - Oratorio Repertoire for Singers
• •  APST 330 - Orchestral Repertoire for Cello
• •  APST 340 - Continuo Accompanying
• •  APST 341 - Advanced Continuo Realization at the Keyboard
• •  APST 350 - Conducting III: Instrumental
• •  APST 351 - Conducting IV: Advanced Instrumental
• •  APST 360 - Conducting III: Choral
• •  APST 361 - Conducting IV: Advanced Choral
• •  APST 400 - Senior Honors in Piano Performance
• •  APST 401 - Senior Honors in Piano Performance
• •  APST 460 - Seminar in Choral Conducting and Literature I
• •  APST 461 - Seminar in Choral Conducting and Literature II
• •  APST 560 - Seminar in Choral Conducting and Literature III
• •  APST 561 - Seminar in Choral Conducting and Literature IV
• •  APST 562 - Graduate Project in Choral Conducting I
• •  APST 563 - Graduate Project in Choral Conducting II
• •  APST 600 - Performance Ensembles (Artist Diploma)
• •  APST 601 - Performance Project (Artist Diploma)
• •  APST 602 - Graduate Lecture Recital
• •  APST 604 - RAP Individual Projects
• •  APST 605 - RAP Assigned Projects
• •  APST 700 - Musical Union
• •  APST 701 - Oberlin College Choir
• •  APST 704 - Opera Chorus
• •  APST 709 - Oberlin Orchestra/Oberlin Contemporary Music Ensemble
• •  APST 712 - Trombone Choir
• •  APST 713 - Brass Ensemble
• •  APST 714 - Trumpet Ensemble
• •  APST 724 - Oberlin Sinfonietta/Oberlin Chamber Orchestra
• •  APST 726 - Oberlin College of Arts and Sciences Orchestra
• •  APST 730 - Collegium Musicum
• •  APST 744 - Early Music Studio
• •  APST 745 - Baroque Orchestra
• •  APST 746 - Brazilian Ensemble
• •  APST 748 - Javanese Gamelan
• •  APST 750 - Djembe Orchestra I
• •  APST 751 - Djembe Orchestra II
• •  APST 753 - Practicum in Djembe Orchestra Applications
• •  APST 800 - Chamber Music
• •  APST 801 - First-Year String Chamber Music Seminar
• •  APST 802 - Orchestral Repertoire for Woodwinds
• •  APST 804 - Orchestral Repertoire for Brasses
• •  APST 805 - Contemporary Chamber Music
• •  APST 806 - Advanced String Quartet Seminar
• •  APST 807 - Oberlin Improvisation and NewMusic Collective
• •  APST 808 - Performance and Improvisation Ensemble
• •  APST 809 - Silent Film Ensemble
• •  APST 810 - Piano Ensemble
• •  APST 811 - Genre Nova Ensemble
• •  APST 812 - Double Bass Ensemble
• •  APST 813 - Soundpainting: Collaborate and Create
• •  APST 814 - Harp Seminar
• •  APST 815 - Guitar Ensemble
• •  APST 816 - Horn Ensemble
• •  APST 817 - Beginning Guitar Class
• •  APST 818 - Oberlin Creative Music Lab
• •  APST 819 - Fiddle Ensemble
• •  APST 821 - Ensemble for Percussionists
• •  APST 822 - Ensembles for Guitarists
• •  APST 823 - Chamber Singers
• •  APST 825 - Oberlin Percussion Group
• •  APST 826 - Oberlin Arts and Sciences Chamber Music
• •  APST 841 - Viola da Gamba Consort
• •  APST 843 - Baroque Ensemble
• •  APST 844 - Renaissance Flute/Recorder Ensemble
• •  APST 995 - Private Reading
• •  APST 995F - Private Reading - Full
• •  APST 995H - Private Reading - Half

Composition

• •  COMP 101 - Composition for Non-Majors
• •  COMP 201 - Composition I
• •  COMP 202 - Composition II
• •  COMP 211 - Instrumentation
• •  COMP 222 - Counterpoint I
• •  COMP 251 - Composition Seminar I
• •  COMP 252 - Composition Seminar II
• •  COMP 301 - Composition III
• •  COMP 302 - Composition IV
• •  COMP 311 - Orchestration
• •  COMP 332 - Survey of Compositional Forms and Structures
• •  COMP 350 - Special Topics in Composition
• •  COMP 351 - Composition Seminar III
• •  COMP 352 - Composition Seminar IV
• •  COMP 421 - Counterpoint II
• •  COMP 995F - Private Reading - Full
• •  COMP 995H - Private Reading - Half

Education

• •  EDUC 300 - Principles of Education

English for Speakers of Other Languages

• •  ESOL 090 - English Communicative Skills I
• •  ESOL 092 - English Communicative Skills II
• •  ESOL 104 - Music and Academic Vocabulary in Context I
• •  ESOL 105 - Music and Academic Vocabulary in Context II
• •  ESOL 110 - English for Speakers of Other Languages Level 1: Reading, Writing, and Grammar
• •  ESOL 115 - English for Speakers of Other Languages: Speaking, Listening, and Culture
• •  ESOL 120 - English for Speakers of Other Languages Level 2
• •  ESOL 130 - English for Speakers of Other Languages Level 3
• •  ESOL 140 - Expository Writing for English Speakers of Other Languages
• •  ESOL 190 - Advanced Academic English
• •  ESOL 401 - Teaching English to Speakers of Other Languages
• •  ESOL 995F - Private Reading - Full
• •  ESOL 995H - Private Reading - Half

Health and Wellness

• •  WELL 110 - Introduction to Body Mapping

Historical Performance

• •  HPRF 110 - Piano Music in Performance
• •  HPRF 111 - Historical Performance in Context: Music of France
• •  HPRF 112 - Historical Performance in Context: Music of England
• •  HPRF 113 - Historical Performance in Context: Music of Italy
• •  HPRF 114 - Historical Performance in Context: Music of Germany
• •  HPRF 121 - Performing Beethoven’s Violin Sonatas
• •  HPRF 122 - Performing Beethoven’s Cello Sonatas
• •  HPRF 201 - Introduction to Historical Improvisation
• •  HPRF 302 - Introduction to Historical Performance
• •  HPRF 303 - Seminar in Performance Practice
• •  HPRF 502 - Introduction to Historical Performance (Graduate-Level)
• •  HPRF 521A - Graduate Studies in Historical Performance
• •  HPRF 521B - Graduate Studies in Historical Performance
• •  HPRF 995F - Private Reading - Full
• •  HPRF 995H - Private Reading - Half

Jazz Studies

• •  JAZZ 100 - Jazz Aural Skills
• •  JAZZ 110 - Jazz Keyboard
• •  JAZZ 120 - Jazz Theory I
• •  JAZZ 130 - Basic Arranging/Composition Techniques I
• •  JAZZ 131 - Basic Arranging/Composition Techniques II
• •  JAZZ 201 - Jazz Improvisation I
• •  JAZZ 202 - Jazz Improvisation II
• •  JAZZ 204 - Stage, Story, and Song
• •  JAZZ 221 - Jazz Theory II
• •  JAZZ 290 - Introduction to African American Music I
• •  JAZZ 291 - Introduction to African American Music II
• •  JAZZ 301 - Jazz Improvisation III
• •  JAZZ 302 - Jazz Improvisation IV
• •  JAZZ 372 - Great Musical Thinkers in the African American Tradition
• •  JAZZ 700 - Jazz Ensemble - Large Group
• •  JAZZ 701 - Oberlin Jazz Lab - Large Ensemble
• •  JAZZ 702 - Gospel Chorus
• •  JAZZ 703 - The Oberlin Sonny Rollins Jazz Ensemble
• •  JAZZ 704 - Jazz Trombone Choir
• •  JAZZ 803 - Jazz Ensemble - Small Group
• •  JAZZ 804 - Stage, Story, and Song
• •  JAZZ 805 - Circle Singing Ensemble
• •  JAZZ 995F - Private Reading - Full
• •  JAZZ 995H - Private Reading - Half

Language

• •  LANG 100 - English Diction
• •  LANG 101 - Italian Diction
• •  LANG 200 - German Diction
• •  LANG 201 - French Diction
• •  LANG 300 - Russian Diction
• •  LANG 995F - Private Reading - Full
• •  LANG 995H - Private Reading - Half

Music Literature

• •  MLIT 212 - The Organ Works of Olivier Messiaen
• •  MLIT 213 - Organ Literature, History and Design I
• •  MLIT 214 - Organ Literature, History and Design II
• •  MLIT 215 - Piano Literature I
• •  MLIT 216 - Piano Literature II
• •  MLIT 220 - The Lied
• •  MLIT 221 - The Mélodie

Music Theory

• •  MUTH 020 - Learning to Read Music
• •  MUTH 031 - Music Theory Summer Jumpstart
• •  MUTH 101 - Aural Skills I
• •  MUTH 102 - Aural Skills II
• •  MUTH 110 - General Music Theory for Non-Majors
• •  MUTH 115 - Philosophical and Political Issues in Texted Music: Opera and Hip-Hop
• •  MUTH 120 - Introduction to Music Theory
• •  MUTH 131 - Music Theory I
• •  MUTH 132 - Music Theory II
• •  MUTH 150 - Music and the Mind
• •  MUTH 201 - Aural Skills III
• •  MUTH 202 - Aural Skills IV
• •  MUTH 210 - Eurhythmics
• •  MUTH 250 - Crafting Tonal Harmony
• •  MUTH 251 - Cycles
• •  MUTH 252 - Deciphering Orchestral Scores: Score Reading, Orchestration, Timbre, Organology
• •  MUTH 254 - Partimento and Figured-Bass Realization
• •  MUTH 255 - Topics in Nineteenth-Century Music
• •  MUTH 256 - Theory and Analysis of Post-2000 Pop Music
• •  MUTH 260 - Large Forms
• •  MUTH 260PT - Large Forms
• •  MUTH 261 - Polyphonies
• •  MUTH 261PT - Polyphonies
• •  MUTH 262 - Questioning Genius
• •  MUTH 262PT - Questioning Genius
• •  MUTH 263 - Scales, Sets, Series, Spectra
• •  MUTH 263PT - Scales, Sets, Series, Spectra
• •  MUTH 264 - Art Song from Franz Schubert to Margaret Bonds
• •  MUTH 264PT - Art Song from Franz Schubert to Margaret Bonds
• •  MUTH 265 - Music In Time
• •  MUTH 265PT - Music In Time
• •  MUTH 266 - East Asia in Western Art Music
• •  MUTH 266PT - East Asia in Western Art Music
• •  MUTH 267PT - Music and the Body
• •  MUTH 301 - Aural Skills V
• •  MUTH 316 - Tonality in Early Music
• •  MUTH 319 - Analyzing Renaissance Music
• •  MUTH 320 - Music Analysis as Literature
• •  MUTH 325 - Counterpoint
• •  MUTH 326 - Ravel
• •  MUTH 340 - Form and Analysis
• •  MUTH 342 - Rhythmic Theory
• •  MUTH 360 - Musical Grooves
• •  MUTH 361 - The Visible in Music
• •  MUTH 362 - French Music from the Belle Époque, 1871 - 1900
• •  MUTH 370 - Music of the 20th and 21st Centuries
• •  MUTH 410 - Senior Project in Theory: Reading
• •  MUTH 411 - Senior Project in Theory: Thesis
• •  MUTH 415 - Analysis & Performance
• •  MUTH 448 - Introduction to Schenkerian Analysis
• •  MUTH 995F - Private Reading - Full
• •  MUTH 995H - Private Reading - Half

Musicology

• •  MUSY 100 - Introduction to Ethnomusicology
• •  MUSY 101 - Introduction to the History and Literature of Music
• •  MUSY 103 - Music as Social Life
• •  MUSY 138 - The Broadway Musical
• •  MUSY 190 - Black Music in the Hour of Chaos
• •  MUSY 191 - AfroClassical Music Forum and Practicum
• •  MUSY 201 - Doing Musical Ethnography
• •  MUSY 212 - Music and Ecology
• •  MUSY 221 - American Music
• •  MUSY 222 - Building Community Through Music
• •  MUSY 223 - Hip-Hop History and Analysis
• •  MUSY 226 - Music of the Middle Ages and Renaissance
• •  MUSY 235 - Music in the Baroque Era
• •  MUSY 237 - Music and Melodrama on Stage and Screen
• •  MUSY 245 - Music in the Classical Era
• •  MUSY 255 - Music of the Romantic Era
• •  MUSY 261 - A Thematic History of Jazz through The Neumann Collection
• •  MUSY 276 - Twentieth-Century Art Music Tradition
• •  MUSY 290 - Introduction to African American Music I
• •  MUSY 291 - Introduction to African American Music II
• •  MUSY 301 - Introduction to Music Research and Writing
• •  MUSY 302 - Introduction to Historical Performance
• •  MUSY 303 - Ethnomusicology as Activism
• •  MUSY 307 - Music of Tudors
• •  MUSY 316 - Studies in Opera: Verdi
• •  MUSY 331 - Johann Sebastian Bach
• •  MUSY 332 - History of Film Music
• •  MUSY 333 - The Racial Politics of Classical Music
• •  MUSY 342 - Modernisms
• •  MUSY 360 - Jazz and Media Studies Through the Neumann Archive
• •  MUSY 400 - Senior Honors
• •  MUSY 401 - Senior Honors
• •  MUSY 420 - Stephen Sondheim
• •  MUSY 995F - Private Reading - Full
• •  MUSY 995H - Private Reading - Half

Opera Theater

• •  OPTH 202 - Introduction to Opera: Performing Techniques I
• •  OPTH 203 - Introduction to Opera: Performing Techniques II
• •  OPTH 204 - Opera Aria Coaching
• •  OPTH 304 - Art of Recitative
• •  OPTH 305 - Opera Workshop I
• •  OPTH 306 - Opera Workshop II
• •  OPTH 307 - Avant Garde Performance Practice in Opera and Musical Theater
• •  OPTH 400 - Performance Project
• •  OPTH 404 - Seminar in Opera I
• •  OPTH 405 - Seminar in Opera II
• •  OPTH 406 - Seminar in Directing
• •  OPTH 407 - Seminar in Directing
• •  OPTH 500 - Advanced Seminar in Opera I
• •  OPTH 501 - Advanced Seminar in Opera II
• •  OPTH 502 - Research Project in Opera
• •  OPTH 503 - Research Project in Opera
• •  OPTH 995F - Private Reading - Full
• •  OPTH 995H - Private Reading - Half

Pedagogy, Advocacy, and Community Engagement

• •  PACE 101 - Foundational Music Pedagogy
• •  PACE 101F - Foundational Music Pedagogy
• •  PACE 102 - Community Engagement Musicians
• •  PACE 103 - Community Music Engagement in the Schools
• •  PACE 104 - String Pedagogy I
• •  PACE 105 - String Pedagogy II
• •  PACE 106 - Strings at Grafton Prison
• •  PACE 108 - Music Advocacy and Administration
• •  PACE 210 - Piano Pedagogy I/II
• •  PACE 212 - Guided Teaching Observation
• •  PACE 230H - Introduction to Voice Pedagogy
• •  PACE 300 - Principles of Education
• •  PACE 310 - Elementary Piano Pedagogy Practicum
• •  PACE 311 - Intermediate Piano Pedagogy Practicum
• •  PACE 312 - Class Piano Pedagogy Practicum
• •  PACE 313 - Guided Piano Pedagogy Project
• •  PACE 314 - Flute Pedagogy I/II
• •  PACE 316 - Creativity of Music
• •  PACE 317 - Psychology of Musical Behaviors
• •  PACE 318 - Community Building Through Creative Placemaking
• •  PACE 995F - Private Reading - Full
• •  PACE 995H - Private Reading - Half

Piano Technology

• •  PNTC 301 - Piano Technology 1
• •  PNTC 302 - Piano Technology Project 1
• •  PNTC 303 - Piano Technology 2
• •  PNTC 304 - Piano Technology Project 2
• •  PNTC 401 - Piano Technology 3
• •  PNTC 402 - Piano Technology Project 3
• •  PNTC 403 - Piano Technology 4
• •  PNTC 404 - Piano Technology Project 4

Private Studies

• •  PVST 001 - Principal Private Study - Piano
• •  PVST 002 - Principal Private Study - Voice
• •  PVST 003 - Principal Private Study - Organ
• •  PVST 004 - Principal Private Study - Violin
• •  PVST 005 - Principal Private Study - Viola
• •  PVST 006 - Principal Private Study - Cello
• •  PVST 007 - Principal Private Study - Bass
• •  PVST 008 - Principal Private Study - Flute
• •  PVST 009 - Principal Private Study - Oboe
• •  PVST 010 - Principal Private Study - Clarinet
• •  PVST 011 - Principal Private Study - Bassoon
• •  PVST 012 - Principal Private Study - Horn
• •  PVST 013 - Principal Private Study - Trumpet
• •  PVST 014 - Principal Private Study - Trombone
• •  PVST 015 - Principal Private Study - Tuba
• •  PVST 016 - Prin Pvt Baroque Viola:
• •  PVST 017 - Principal Private Study - Harp
• •  PVST 018 - Principal Private Study - Percussion
• •  PVST 019 - Principal Private Study - Harpsichord
• •  PVST 020 - Principal Private Study - Baroque Violin
• •  PVST 021 - Principal Private Study - Baroque Cello
• •  PVST 022 - Principal Private Study - Gamba
• •  PVST 023 - Principal Private Study - Baroque Flute
• •  PVST 024 - Principal Private Study - Recorder
• •  PVST 025 - Principal Private Study - Baroque Oboe
• •  PVST 026 - Principal Private Study - Classical Guitar
• •  PVST 027 - Principal Private Study - Composition
• •  PVST 028 - Principal Private Study - Jazz Piano
• •  PVST 029 - Principal Private Study - Jazz Voice
• •  PVST 030 - Principal Private Study - Jazz Bass
• •  PVST 031 - Principal Private Study - Jazz Drums
• •  PVST 032 - Principal Private Study - Jazz Guitar
• •  PVST 033 - Principal Private Study - Historical Plucked Strings
• •  PVST 034 - Principal Private Study - Jazz Saxophone
• •  PVST 035 - Principal Private Study - Jazz Trombone
• •  PVST 036 - Principal Private Study - Jazz Trumpet
• •  PVST 037 - Principal Private Study - Jazz Flute
• •  PVST 038 - Prin Pvt Jazz Violin:
• •  PVST 040 - Principal Private Study - Jazz Composition
• •  PVST 041 - Principal Private Study - Fortepiano
• •  PVST 042 - Principal Private Study - Jazz Tuba
• •  PVST 043 - Principal Private Study - TIMARA
• •  PVST 044 - Principal Private Study - Recording Arts
• •  PVST 045 - Principal Private Study - Piano Technology
• •  PVST 046 - Principal Private Study - Jazz Vibraphone
• •  PVST 051 - Secondary Private Study - Piano
• •  PVST 052 - Secondary Private Study - Voice
• •  PVST 053 - Secondary Private Study - Organ
• •  PVST 054 - Secondary Private Study - Violin
• •  PVST 055 - Secondary Private Study - Viola
• •  PVST 056 - Secondary Private Study - Cello
• •  PVST 057 - Secondary Private Study - Bass
• •  PVST 058 - Secondary Private Study - Flute
• •  PVST 059 - Secondary Private Study - Oboe
• •  PVST 060 - Secondary Private Study - Clarinet
• •  PVST 061 - Secondary Private Study - Bassoon
• •  PVST 062 - Secondary Private Study - Horn
• •  PVST 063 - Secondary Private Study - Trumpet
• •  PVST 064 - Secondary Private Study - Trombone
• •  PVST 065 - Secondary Private Study - Tuba
• •  PVST 066 - Secondary Private Study - Baroque Viola
• •  PVST 067 - Secondary Private Study - Harp
• •  PVST 068 - Secondary Private Study - Percussion
• •  PVST 069 - Secondary Private Study - Harpsichord
• •  PVST 070 - Secondary Private Study - Baroque Violin
• •  PVST 071 - Secondary Private Study - Baroque Cello
• •  PVST 072 - Secondary Private Study - Gamba
• •  PVST 073 - Secondary Private Study - Baroque Flute
• •  PVST 074 - Secondary Private Study - Recorder
• •  PVST 075 - Secondary Private Study - Baroque Oboe
• •  PVST 076 - Secondary Private Study - Contemporary Improvisation
• •  PVST 077 - Secondary Private Study - Composition
• •  PVST 078 - Secondary Private Study - Jazz Piano
• •  PVST 079 - Secondary Private Study - Jazz Voice
• •  PVST 080 - Secondary Private Study - Jazz Guitar
• •  PVST 081 - Secondary Private Study - Jazz Drums
• •  PVST 082 - Secondary Private Study - Jazz Trumpet
• •  PVST 083 - Secondary Private Study - Jazz Bass
• •  PVST 084 - Secondary Private Study - Jazz Trombone
• •  PVST 085 - Secondary Private Study - Jazz Saxophone
• •  PVST 086 - Secondary Private Study - Fortepiano
• •  PVST 087 - Secondary Private Study - Euphonium
• •  PVST 088 - Secondary Private Study - Classical Guitar
• •  PVST 089 - Secondary Private Study - Clavichord
• •  PVST 090 - Secondary Private Study - Jazz Flute
• •  PVST 091 - Secondary Private Study - Jazz Composition
• •  PVST 092 - Secondary Private Study - Jazz Applied Study
• •  PVST 093 - Secondary Private Study - TIMARA
• •  PVST 095 - Secondary Private Study - Jazz Tuba
• •  PVST 096 - Secondary Private Study - Jazz Vibraphone
• •  PVST 097 - Secondary Private Study - Historical Bass
• •  PVST 098 - Secondary Private Study - Bass, Underhand Bow
• •  PVST 099 - Secondary Private Study - Applied Study

Professional Skills

• •  PROF 111 - Public Media Practicum
• •  PROF 140 - Introduction to Harpsichord Tuning and Maintenance
• •  PROF 141 - Harpsichord Tuning Practicum
• •  PROF 170 - Introduction to Music Criticism
• •  PROF 171 - Practicing Music Journalism
• •  PROF 200 - Professional Development for Musicians
• •  PROF 995F - Private Reading - Full
• •  PROF 995H - Private Reading - Half

Technology in Music and the Related Arts

• •  TECH 101 - Introduction to Electroacoustic Music
• •  TECH 102 - Introduction to Sound Art
• •  TECH 103 - Sonic Arts in Society
• •  TECH 104 - Crafting Change: Exploring Crisis, Creativity, and DEI in STEAM Education
• •  TECH 106 - It’s Electric! An Introduction to Live Sound Design for Live Performance
• •  TECH 107A - Digital Fabrication I: Introduction to the Tools of the TIMARA Makerspace
• •  TECH 107B - Digital Fabrication II: The Tools of the TIMARA Makerspace
• •  TECH 108 - Tools for Sonic Storytelling
• •  TECH 109 - Introduction to Audio Engineering
• •  TECH 110 - Audio Harvest: Cultivating Sustainability in Food and Art
• •  TECH 130 - Studio Recording
• •  TECH 132 - Advanced Audio Recording
• •  TECH 170 - Electroacoustic Interpretation and Performance Practice
• •  TECH 201 - Electroacoustic Studio Tech
• •  TECH 202 - Real-Time Techniques
• •  TECH 203 - Advanced Electroacoustic Music
• •  TECH 204 - Performance Technology Workshop
• •  TECH 271 - TIMARA First-Year Studio
• •  TECH 281 - TIMARA Second-Year Lessons
• •  TECH 291 - Sophomore Studio
• •  TECH 292 - Sophomore Studio
• •  TECH 303F - TIMARA Apprenticeship - Full
• •  TECH 303H - TIMARA Apprenticeship - Half
• •  TECH 345 - Mixed Media Circuits: Design, Fabrication, Inquiry
• •  TECH 350 - Workshop in Music and Media Technologies
• •  TECH 360 - Mixed Media Collaboration
• •  TECH 361 - Making a Sustainable, Inclusive, and Just Future: The New Industrial Revolution
• •  TECH 995F - Private Reading - Full
• •  TECH 995H - Private Reading - Half

Recording Arts and Production

• •  RAPR 201 - Intro to Audio Engineering
• •  RAPR 202 - Intro to Mixing and Mastering
• •  RAPR 250 - Recording Arts and Production Studio/Practicum