Course Catalog 2023-2024 [ARCHIVED CATALOG]
English
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Danielle C. Skeehan, Associate Professor of English; chair
Laura J. Baudot, Associate Professor of English and Associate Dean of the College of Arts and Sciences
Jennifer E. Bryan, Professor of English
William Patrick Day, Professor of Cinema Studies and English
DeSales Harrison, Professor of English
Wendy Beth Hyman, Professor of English
Asif Iqbal, Visiting Assistant Professor of English
Gillian Johns, Associate Professor of English
Sarah Jane Kerwin, Visiting Assistant Professor of English
Jeffrey S. Pence, Associate Professor of Cinema Studies and English
Harrod J. Suarez, Associate Professor of English
Natasha Tessone, Associate Professor of English
Carol Tufts, Associate Professor of English
Visit the department web page for up-to-date information on department faculty, visiting lecturers, and special events.
English, or the practice of literary study, is integral to the work of the humanities. Interpretation is integral to the work we do in the Department of English at Oberlin College.
For students who enroll in courses in the English department, the “literary” remains a crucial, but not the only, operative category of thought or object of study. Students will come to understand that literary study is more than textual analysis, but also a way of viewing the world, a set of transferable skills and practices, a capacity for creativity, and a heightened awareness of how all kinds of formal and cultural practices make their meanings. Reading texts is the center of what we do. Collectively, we attend not only to poetics, but also to the poetics of culture. Classes are organized, in other words, by animating questions that turn to a wide array of literary and non-literary objects to answer. Student inquiry revolves around making meaning, nourishing better thinking, cultivating effective communication, and assisting students in the making of meaningful lives.
See information about Research, Internships, Study Away, and Experiential Learning (RISE).
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Departmental Policies
Advanced Placement Credit
The following score(s) will correspond to credit for the following course(s), fulfilling corresponding prerequisite requirements (if applicable) and counting toward total credits needed for graduation:
- AP English Literature and Composition, 5 → ENGL 600 (one full course)
- HL IB English; 5, 6, or 7 → ENGL 600 (one full course)
Note: Transfer credit received for ENGL 600 does not count toward the English major or the English minor.
Majors and Minors
Curriculum
Interpretation, the making of meaning through textual study, involves a mix of modes:
- Examination: careful attention to the details of a text and its general nature
- Explication: connecting details & contexts to create plausible meanings for a text
- Extrapolation: connecting the meanings of a text to broader questions
- Reflection: self-evaluation of one’s process of making meaning; further thought on the meanings being made
These modes do not necessarily occur sequentially; each interacts with the other, multiplying the possibilities for meaningful encounters with texts. The course offerings of the Department of English represent the numerous ways in which these modes of interpretation can be practiced, with each level of the curriculum emphasizing a particular mode but also its connection to interpretation as a whole.
The English department welcomes students who are not majors into its advanced courses. The expectations of skills in interpretation and written expression increase at each level, and students should balance their interest in a topic with their sense of readiness for a course’s demands.
First-Year Seminar Program
First-year seminars, which are small and often carry the Writing Intensive attribute, do not count towards the English major or minor but are nonetheless highly recommended.
100-Level Courses
- Emphasize Examination; introduce students to different types of texts and interpretive practices.
- Are courses primarily for non-majors
- The English department offers several 100-level courses intended to serve a general audience interested in learning about literature from topical approaches. Such courses do not normally carry the Writing Intensive attribute.
200-Level Courses
- Emphasize Explication; identification of significant textual elements, explanation of what they mean in different contexts, connection of text, and contexts to create meaning.
- Most English courses above the 100-level carry either the Writing Intensive or the Writing Advanced attribute.
300-Level Courses
- Emphasize Extrapolation; drawing larger ideas, questions, and themes from a text; implications of a text’s meanings in other contexts; application of interpretation to other issues.
- These courses are smaller in size to facilitate more intensive work than the 200-level courses.
400-Level Courses
- Emphasize Reflection on the interpretive process, connecting different modes of interpretation, further application of interpretation.
- Senior tutorials allow students to pursue an individual project in a small group supervised by a faculty member whose areas of expertise may shape the projects directed. Tutorials are available only to senior English majors.
- Senior seminars offer students an opportunity to focus on a common set of critical issues and works, and to conduct significant research leading to a substantial final project. If spaces remain in senior seminars after all senior English majors have been accommodated, they will be available, by application, to other qualified students.
Courses- ENGL 103 - Introduction to World Literature
- ENGL 104 - Supervidere: Surveillance Cultures of the American Canon
- ENGL 105 - Literature and Environmentalism
- ENGL 110 - A History of the English Language
- ENGL 112 - One Hundred Poems
- ENGL 123 - Introduction to Shakespeare
- ENGL 140 - Arthurian Fictions
- ENGL 180 - Selected Authors: Marilynne Robinson
- ENGL 201 - Rethinking Gender in American Literature
- ENGL 203 - Early British Literature: Chaucer, Shakespeare, Milton
- ENGL 204 - Comically Serious: Graphic Novels and the Art of Storytelling
- ENGL 206 - Shakespearean Tragedy
- ENGL 207 - Lovers, Philosophers, and Revolutionaries: A Survey of Renaissance Literature
- ENGL 209 - Ovid in the Middle Ages
- ENGL 213 - Desire and Literature
- ENGL 217 - Transgender Literature: Transition, Narrative, and Desire
- ENGL 218 - Shakespeare and the Limits of Genre: Problem Comedy and Romance
- ENGL 219 - Person and Impersonation
- ENGL 223 - Meaning and Being
- ENGL 227 - Jane Austen and Company: Romantic Revolutions
- ENGL 229 - The Poets’ Bible
- ENGL 234 - The Postcolonial Trajectories
- ENGL 238 - Contemporary American Fiction
- ENGL 242 - Asian American Literature at the Crossroads
- ENGL 243 - Promise and Peril: Race and Multicultural America
- ENGL 244 - Supervidere: Surveillance Cultures of the American Canon
- ENGL 246 - Comparative Global South Literatures
- ENGL 253 - Pens and Needles: Gender and Media in Early America
- ENGL 254 - Nineteenth-Century New York: Writing the Modern City
- ENGL 258 - August Wilson: The Century Cycle
- ENGL 260 - Black Humor and Irony: Modern Literary Experiments
- ENGL 261 - Constructing the Subject: African American Women and Auto/Biography
- ENGL 263 - Black English and Voice: An Introduction to Sociolinguistics
- ENGL 265 - Anglophone Postcolonial Literatures
- ENGL 267 - Ethnic Experiments
- ENGL 275 - Introduction to Comparative Literature
- ENGL 277 - American Drama
- ENGL 279 - Imagining Borders
- ENGL 282 - Shifting Scenes: Drama Survey
- ENGL 287 - “Bollywood“‘s India: An Introduction to Indian Cinema
- ENGL 289 - Shakespeare in Italy
- ENGL 290 - Shakespearean Comedy and Social Justice
- ENGL 291 - Introduction to the Advanced Study of Cinema
- ENGL 293 - Acquired Taste: Literature and Colonial American Foodways
- ENGL 299 - What is Literature: Introduction to the Advanced Study of Literature
- ENGL 301 - Chaucer’s Canterbury Tales
- ENGL 302 - The Wild West, the New West, and the Weird West
- ENGL 304 - Shakespeare and Metamorphosis
- ENGL 306 - Literature and the Scientific Revolution
- ENGL 308 - Visuality, Materiality, and Renaissance Literature
- ENGL 309 - The Poetry of Love and Seduction in the Renaissance
- ENGL 310 - Early Medieval European Literature: From Virgil to Dante
- ENGL 317 - Postapocalyptic Pacific Rim
- ENGL 318 - From Don Quixote to Persepolis: History of the Novel
- ENGL 319 - Charting Globalization in Diaspora Films and Novels
- ENGL 320 - From Frankenstein to Dracula: At the Margins of 19th-Century Britain
- ENGL 322 - Imagining Immanence
- ENGL 323 - Six Poets
- ENGL 328 - Modern Drama II: Brecht to Pinter
- ENGL 329 - Louise Erdrich
- ENGL 330 - Modernist Chicago: Urban Literature and Sociology
- ENGL 332 - Song and Book
- ENGL 333 - Just Sayin’: The African American Essay
- ENGL 343 - American Gothic
- ENGL 348 - Modern Drama I: Ibsen to Pirandello
- ENGL 349 - Contemporary Drama: 1980 to the Present
- ENGL 357 - Inventing America: Histories of the Book, Archive, and Empire
- ENGL 360 - The End: Globalization and Literature
- ENGL 361 - Strange Cinema
- ENGL 363 - Gaines, Morrison, Wideman: Textualizing Orality and Literacy
- ENGL 372 - Contemporary Literary Theory: Post-Modernity and Imagination
- ENGL 375 - Realism, 1800 to the Present: The Mirror Up to Nature
- ENGL 376 - Migrant Subjects and the Postcolonial Novel
- ENGL 377 - Migrants and Postcolonial Novels
- ENGL 379 - Welfare Queens and Tiger Moms: Narratives of the Maternal
- ENGL 381 - Hopeful Monsters: (Mixed-)Media Studies
- ENGL 399 - Teaching and Tutoring Writing Across the Disciplines
- ENGL 400 - Senior Tutorial
- ENGL 417 - Space and Place
- ENGL 428 - Seminar: Virginia Woolf and Zadie Smith
- ENGL 437 - Seminar: Ars Poetica
- ENGL 438 - Seminar: Literary Cognitive Linguistics
- ENGL 448 - Seminar: Words and Things
- ENGL 452 - English Honors I
- ENGL 453 - English Honors II
- ENGL 995F - Private Reading - Full
- ENGL 995H - Private Reading - Half
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